This March, coinciding with Art Basel Hong Kong 2026, Art Intelligence Global is pleased to present “THE UNCANNY” at our Hong Kong gallery.

Bringing together significant works by Yayoi Kusama, Robert Gober, Louise Bourgeois, among others, the exhibition examines how artists have engaged with the psychological concept of the uncanny. Through distortions of the body, the domestic sphere, and technology, these works dislocate the familiar to reveal submerged memories, desires, and anxieties.

Opening Reception: March 24, 2026 | 5PM – 8PM

Gallery address: 1st Floor, TS Tower, 43 Heung Yip Road Wong Chuk Hang

HKWALLS, Hong Kong's leading non-profit street art organisation, is excited to announce the return of its landmark annual festival for its 11th edition, running from 21 to 29 March 2026.

This year's festival, themed around the city as a canvas, features over 20 local and international artists from 14 countries. We are particularly thrilled to introduce "Art on the Move," a brand-new collaboration with GoGoX where six artists will transform logistics trucks into mobile masterpieces and immersive gallery spaces.

Festival Highlights include:

• Live Mural Painting: Artists like Fabio Petani (Italy) and Hardthirteen (Indonesia)—who will create a portrait of Bruce Lee—will paint live across the Central and Western District.

• HKWALLS Digital 2026: A massive digital art display on the Sino LuminArt Façade (Tsim Sha Tsui) featuring 82,000 LEDs, as well as giant screens at the new Kai Tak Mall.

• Interactive Events: An Art Battle Kickoff Party at PMQ on 21 March and a grand "Art Walk in Central" finale on Chater Road on 29 March.

ArtHouse Tai Hang is a new contemporary art festival celebrating an international array of creative talents in a unique Hong Kong neighbourhood. 

Through a group exhibition of over 50 artists, the 10 exhibiting houses unlock a different side of Tai Hang. Each of them becomes a chapter, inviting visitors to wander, discover, and connect the works in an organic and immersive journey.

Visitors can walk freely through narrow laneways, open spaces, and street corners, hop in and out between curated exhibitions and site-specific installations, stop for lunch, see another show, grab a coffee or a beer, and continue the journey. Tai Hang is not just a setting — it is where contemporary art meets the soul of a historic community.

Tickets and information

A group exhibition of 9 Italian and HK artists, curated by Giulia Pollicita and Eunice Tsang
Tap Chan, Adele Dipasquale, Roberto Fassone, Adam Harrison, Ocean Leung, Jennie MaryTai Liu, Simon Liu, Michela de Mattei, Sara Ravelli

When speech is mistranslated, restricted, or simply fails, what other alphabets remain? Between Italy and Hong Kong—where languages, histories, and governing systems diverge—our exhibition proposes play as a shared, subversive alphabet.

Neither innocent nor trivial, play here becomes a strategic act. The artists turn to games, glitches, and improvised rules to articulate what cannot be said. Within their worlds, prevailing rules are suspended, roles dissolve, and hierarchies are reconfigured. Between docility and insubordination, play emerges as a magical gesture: an agent of both disorder and reorder.

Opening reception: 21.3 | 4-8pm

Gallery address: 3F Remex Centre, 12 Heung Yip Road, Wong Chuk Hang

Over 20 talented local artists will open their studios to the public, inviting visitors to view their works, discover the stories behind their creations and explore the diverse landscape of arts in Hong Kong.

Please find the full list of the participating artists here.

Venue address: 6/F and 7/F, Landmark South

How can we learn to nurture sensibility? How do we care for each other and bear sorrow together? How might we begin to heal ourselves and the world around us? In a time of rapid change, this exhibition invites you to slow down, engage with the work of 14 artists from across Asia, and turn inwards.

Textiles have always been inseparable from our spiritual life. They appear in rituals and ceremonies, accompanying people through the cycles of life and death, joy and sorrow, parting and reunion. They also move with us every day, gently connecting our inner world and the spaces we inhabit. Passed from generation to generation, the acts of weaving, dyeing and stitching form a tactile language of memory, emotion, belief and imagination – both personal and collective.

Here, we explore textiles as living pathways that intertwine into spiritual maps. They weave threads between people and place, ancestors and ecologies, the visible and the unseen, softness and strength, while opening up futures and possibilities of living, relating, and caring for the world.

Curators: WANG Weiwei, Eugene Hannah PARK, KUROSAWA Seiha, WANG Huan

Venue address: 2/F, The Mills, 45 Pak Tin Par Street, Tsuen Wan

DEVEDO is pleased to present Chinese artist Siqi Qin's first solo exhibition in Hong Kong, featuring two of her iconic series: the Human Aesthetics and Flowers.

Human Aesthetics was inspired by Robert Mapplethorpe. Siqi portrays the body's ultimate beauty—sometimes sculptural and still, other times dynamic and fluid. Her refined approach to composition and light recalls the classic nudes of Bill Brandt and Edward Weston.

Flowers focus on blooms such as roses and anthuriums, which quietly bloom within the exhibition space. Her sensitive mastery of composition achieves a balance between restraint and tenderness, presenting a poetic vision of nature's beauty. Inspired by Georgia O'Keeffe and photographer Nobuyoshi Araki, Siqi brings together floristry and photography to construct a narrative of emotion that is both gentle and charged with tension.

Time: 2-7 pm (Wednesday-Saturday, By Appointment)
Venue: 6J, Block 2, Kingley Industrial Building, 33 Yip Kan Street, Wong Chuk Hang

Contemporary art’s engagements with Modernity and Hauntology continue to provoke essential reflections on history and reality. This curatorial experiment explores their untapped possibilities within specific East Asian contexts. Set in Hong Kong—where Buddhism and Daoism thrive alongside deeply lived folk beliefs that shape not only spiritual life but also social, cultural, and political realities—the exhibition highlights the intangible yet constant presence of the ghostly and the divine in everyday human–world relations. The English title GHOSTLY, GODLY captures this spectral dimension, while the Chinese title 人間 (Human Realm, Ningenkai) evokes the unresolved, bittersweet present of Buddhist cosmology, where joy and suffering coexist and call for ongoing practice.

Curated by Chris Wan, the show presents newly commissioned works, existing pieces, archives, and documents by artists Simon Liu, Cici Wu, Tang Kwok-hin, Ha Bik Chuen, and On Kino. Fully supported by the Octone Foundation, this project fosters experimental curating and artistic creation outside conventional institutional frameworks.

Venue address: 33/F, M Place, Wong Chuk Hang

The Hong Kong Arts Development Council (HKADC) announces its latest exhibition, The Lurking Void, at its distinctive multi-functional space, the SHOWCASE. Harnessing the full scale of the venue, the exhibition envelops audiences in colossal, site-specific installations, brought to life through unsettling sound and motion. Office equipment – printers, desks, cables, and scanners – transform into creature-like entities and landscapes, portraying a white‑collar world where AI does not replace humans but alters the nature of work, leaving people neither erased nor in control, but instead deeply entangled.

The Lurking Void is a psychological portrait of contemporary office labour shaped by the growing presence of artificial intelligence. Rather than framing AI as a force that simply replaces human workers, the project reflects on how work, identity and value are being reconfigured as humans and machines increasingly operate together. In this environment, the boundary between human and machine grows blurry and fluid, no longer a clean divide but an evolving field of negotiation. Through its installations, the exhibition responds to this complex symbiotic relationship, inviting visitors to consider what it means to be human in the “Post-Human Era”. The works are by award-winning Hong Kong artist Phoebe Hui, whose multidisciplinary practice spanning robotics, kinetic sculpture, generative art, sound, comics and drawing, gives this collective condition immersive form.

Venue address: HKADC SHOWCASE, UG/F Landmark South, Wong Chuk Hang

Solely organise and present by the Hong Kong Arts Centre (HKAC), Collect Hong Kong Art Fair 2026 will take place from 21 to 29 March 2026 at the Pao Galleries, Diana Cheung Experimental Gallery, The Showcase and Jockey Club Atrium in the Hong Kong Arts Centre. 

Built upon the success of the Collectible Art Fair in 2023 and Collect Hong Kong 2025, Collect Hong Kong Art Fair 2026 is created to support the burgeoning wave of artistic talent and heighten mass appreciation for the work of local artists. This event will showcase innovative art in diverse media to highlight the creative breadth of local artist and provide a platform for artists, galleries, and art enthusiasts to connect and collaborate. Overseeing the artwork selection process is an independent curator and a jury panel.

With Collect Hong Kong’s unprecedented championing of homegrown virtuosity, visitors will enjoy an enriching and truly unparalleled art experience. The event feature works from emerging talents to established artists, catering to the diverse interests of art collectors and enthusiasts.

Growing up in the United States and Europe, and currently living and working in China, Etsu Egami experienced various communication barriers she encountered as a result of her cross-cultural residence. She felt that languages can “only be sensed, not explained”, thus becoming more interested in the discipline of language and communication. Etsu’s works are comprised of various mediums, such as voice, video, and drawings, through which she strives to question human instincts and the authenticity of communication. Estu’s perceptive contemporary pieces have led her to receive high praise from the art sector. Curator of Pompidou art centre Julie Jones describes Egami as an artist who “sees all these specificities as a source, not only of misunderstanding but also of creation and richness in people’s relationships.” Chinese curator Feng Bo Yi also summarized Etsu’s creation as being “about the concept and the significance of ‘communication’. Through the paintings and videos which embody these mishearing games, as well as the evolution of times, the clashes between civilisations, we acquire a discourse on the barriers in language communications, and subsequently even trigger a crisis.”

Gallery address: 20/F, Landmark South, 39 Yip Kan Street, Wong Chuk Hang

wamono art will present SIDE CORE’s “under city” in Hong Kong for the first time.

SIDE CORE is a Tokyo-based art collective active since 2012. Members Sakie Takasu, Tohru Matsushita, and Taishi Nishihiro work with video director Kazunori Harimoto. Grounded in the ideas and histories of street culture, SIDE CORE’s practice asks how individuals can communicate—and leave traces—in urban and public space. Their projects often involve collaborators from other fields, resulting in works that emerge from the city’s blind spots, gaps, and overlooked infrastructures.

The exhibition’s central theme is “urban underground spaces.” For “under city,” SIDE CORE filmed rarely accessible sites such as massive underground reservoirs, disused water treatment facilities, and abandoned subway stations. While recent technological advances have made cities increasingly digitized and “visible,” many subterranean environments remain unknown or difficult to grasp. The work follows skaters moving through these underground spaces, then edits the footage into a continuous sequence—stitching separate locations into a single “virtual underground city.” The project brings together multiple lenses: skateboarding as a way of reading Tokyo’s underground, alongside geology and disaster preparedness, technology and urban theory, as well as urban legends and fiction. Japanese street skater Takahiro Morita participates through skate video production company “FESN”, performing in the work and directing skate sequences.

Gallery address: Unit A, 10/F, Derrick Industrial Building, Wong Chuk Hang Road

What is it like to live, sense, and feel as a mushroom? Over the past year, Zheng Mahler conducted extensive research on their local home island of Lantau, and encountered thirty-eight distinct species of mushrooms. After photographing and compiling their findings, they produced a unique dataset and fed it into a custom AI model — critiquing and simultaneously expanding AI's dearth of knowledge around mushrooms in connection with the Western world's fear of fungi, and to generate new, speculative mushroom species. The project likens the rhizomatic and seemingly infinitely generative nature of mushrooms to emergent AI systems and posits we understand each through the other. At the same time, it invites us to consider our preoccupations with generative qualities of 'fruiting bodies' and consider the responsive, cultivating qualities of 'network' inputs.

For their solo show at PHD Group, “Mushroom Clouds,” Zheng Mahler will build a large-scale living, breathing terrarium which simulates the biodiverse ecosystems on Lantau Island, complete with plants and fungi. Within this terrarium, a dense cloud of fog occasionally forms as a reaction to systems of water, heat, and growth, in which projections of AI-hallucinated mushrooms appear, creating a ghostly display of Lantau fungi. A series of drawings of a number of fungi species found on Lantau and used in the AI dataset appears around the gallery space for visitors to similarly encounter and be guided through this immersive, unpredictable and expansive exhibition.

Opening: 21 March 1-7pm

Axel Vervoordt Gallery is pleased to present Asteroid J-734, a solo exhibition by Jaffa Lam at its Hong Kong space. Following her recent participation in the Shanghai Biennale, this presentation expands the artist’s longstanding engagement with material, community, and storytelling. Bringing together new works developed across a range of mediums—including ceramics shaped during her residency in Longquan, China, as well as ongoing fabric and window installations—Asteroid J-734 forms an interconnected constellation of materials and forms that move fluidly between the monumental and the intimate. In this new body of work, Lam invites viewers into a world both deeply personal and profoundly connected to the environments and people that surround her.

Opening March 21st

Gallery address: 21/F, Coda Designer Centre, Wong Chuk Hang

Capsule is pleased to present Kong Lingnan's(b. 1983, Jilin, China) solo exhibition The Fool’s Journey, marking the debut of the eponymous series of 22 oil paintings on wood. The works offer a metaphorical reimagining of the 22 Major Arcana cards of the Tarot, tracing the arc of an individual’s spiritual growth—from ignorance to wisdom, from chaos to fulfillment. The series guides viewers along the Fool’s journey through a sequence of archetypes and stages embodied by each Tarot card, reflecting on the challenges, transformations, and moments of enlightenment that we all encounter in one way or another throughout life.

Opening reception on March 21 from 11 am to 7 pm

Venue address: Suite 2501, 25/F, Landmark South, 39 Yip Kan Street, Wong Chuk Hang

‘Receding Scenery’ describes a familiar physical experience: as a vehicle moves forward, the scenery outside appears to drift backward. Rather than nostalgia, Hazel WONG Mei Yin’s works grow from this shifting perspective, reflecting the uncertainty, thoughts, and emotions of being in transit.

Wong’s practice is shaped by her recent life between Sapporo and Hong Kong. Long hours spent travelling—as both passenger and driver—have turned the interior of the vehicle into a space for quiet observation. Frequent relocation has made movement central to her work. While the landscapes she paints refer to real places, they also carry personal memory and feeling, revealing her ongoing interest in distance, time, and human connection.

Saturday, 21 March 2025, 2 – 5pm

Gallery address: 3/F, 25 Hing Wo Street, Tin Wan, Aberdeen

In this new body of work, Dony CHENG Hung deepens her ongoing inquiry into urban existence, perception, and temporality.Cheng reflects on the shift from a past in which time was non-uniform, repeatedly reactivated through ritual and architecture, to a present dominated by speed, measurement, and constant management. This exploration is inspired by her current reading of Mircea Eliade's "Traité d'histoire des religions" and Paul Virilio's "L'Esthétique de la disparition". Her earlier investigations into the dialogue between artificial and natural light, along with latent rituals that reconnect us to nature within everyday routines, now converge into a visual language centered on the objectification of present-day temporality.

Saturday, 21 March 2025, 2 – 5pm

Gallery address: 13/F, 25 Hing Wo Street, Tin Wan, Aberdeen

MAYAO is pleased to announce ZHU Tao’s solo exhibition 《20260321》. Join us at the opening reception from 4:30 - 6:30 PM on 21 March, to regain the original purpose of ‘arriving’ in an era increasingly marked by disorientation. Below is an excerpt by the curator:

One afternoon in December 2025, I visited Zhu Tao and had the privilege of seeing all of his manuscripts. I remember sitting in his study that day, looking through them one by one. Time seemed to freeze at a certain moment that afternoon. My body was in a small village somewhere in Tai Mei Tuk, Hong Kong, and the sky outside gradually darkened. Yet those vivid images carried me to different places. These images are the footprints of Zhu Tao.

We chose the exhibition opening date—20260321—as the title of the exhibition, to represent the number of steps he has taken. These steps are not empty data; they are the traces of a person using his own body to experience different spaces and landscapes. In Zhu Tao’s manuscripts, what I see is not merely scenery, but cities with different temperaments and atmospheres. One feels present within them. I can almost smell those places: Venice soaked in sunlight, rain-drenched Kyoto, the wind-blown landscapes of Qinghai beneath a blazing sun, and Greece where the air carries the salt of the sea and the wind is filled with its scent.

CURATOR: Lí WEI

Opening reception: 4:30 - 6:30 PM, 21 Mar, Saturday

Gallery address: 10/F, Derrick Industrial Building, Wong Chuk Hang

A new body of paintings by Fares THABET, the celebrated Tunisian artist whose ethereal landscapes have captured the transformative light and chromatic intensity of North Africa. Working from his studio in the bay of Tunis, Thabet continues to explore the intersection of observation and imagination, creating compositions that transcend geographical specificity while remaining rooted in Mediterranean luminosity.

Thabet's recent paintings present scenes of paradoxical complexity and serenity—works where sandy beaches blush rose-pink, seas dissolve into turquoise-green gradients, and skies transform into tangerine orange at dusk. These tranquil environments exist primarily in imagination yet bear traces of human habitation, occasionally revealing lone figures, drifting boats, or entire abandoned cities merging seamlessly with their surroundings.

Saturday, 21 March 2025, 2 – 5pm

Gallery address: 13/F, 25 Hing Wo Street, Tin Wan, Aberdeen

WKM Gallery is pleased to present “HKG-TYO 1974-2023,” a solo exhibition by Canadian photographer Greg Girard (b. 1955, Canada). Known for his intimate, cinematic documentation of the social and physical transformations in major East Asian cities over the past four decades, the current exhibition juxtaposes two of Girard’s second homes, Hong Kong and Tokyo, during their respective eras of industrialization and growth.

Guided by an undying investigative curiosity and appreciation of the overlooked, Girard’s lush, enchanting, and at times melancholy compositions offer a point of access to the euphoria and growing pains that eventually came to shape Hong Kong and Tokyo as we know them today, becoming time capsules that point simultaneously toward the present and the future.

21 March 2026 | 4 - 8 pm

Meet the Artist
21 March 2026 | 6 - 7 pm
24 March 2026 | 7 - 8 pm

Gallery address: 20/F, Coda Designer Centre, Wong Chuk Hang

When Antenna Space celebrated a tenth anniversary just a couple short years ago, the world was in a weirdly fragmented state. We called the exhibition “Horizons,” after the hypothetical event horizon of an expanding cosmos, the place from which no signal could ever be received; we speculated that hope was our lone defense against the impossible—a protest against the infinite.

Today, the world remains fragmented, perhaps even more so than it was in those strange, post-pandemic days, when travel was again possible but the urge to connect felt like a distant memory. We see our technical networks breaking into closed circuits, China building and exporting a global alternative, Europe planning its own civic social networks, the United States a chaotic morass held together by the thin glue of fascism and artificial intelligence. For the first time in living memory, we are living in a truly multipolar world.

Artists: Xinyi Cheng, Cui Jie, Guillaume Dénervaud, Daniel Dewar & Grégory Gicquel, Owen Fu, Covey Gong, Guan Xiao, Han Bing, Hongyan, Allison Katz, Stanislava Kovalcikova, Mire Lee, Li Ming, Shuang Li, Li Yong Xiang, Nancy Lupo, Peng Zuqiang, Evelyn Taocheng Wang, Yu Honglei, Stella Zhong, Zhou Siwei (alphabetically)

Opening reception: 21 Saturday, 3-7pm

Gallery address: 19/F, 37 Wong Chuk Hang Road

The second chapter of “Us” unfolds in Hong Kong. Where the Berlin edition began within the quieter confines of the domestic interior, this iteration prepares us to step outside. In this intermediate space, we encounter change, the presence of others, the pull of the external, and the charged energies of the city.

Curated by Thom Oosterhof

Artists: Dani McKenzie, Robert Russell, Kevin Yaun, Jonah Gebka, Steffen Kern, Arnaud Adami, Michael Angel, Rachel Lancaster

Opening reception: Saturday, 21 March | 2-7 PM
Gallery address: 2101, Landmark South, Wong Chuk Hang

Foretold by classical feng shui and Asian astrology, this new era marks a cosmic shift from the element of Earth to Fire—symbols of volatility and upheaval—signaling an urgent call to restore water as a vital counterbalance: an agent of care, adaptability, and healing. In this spirit, during Hong Kong Arts Month, PODIUM is delighted to present 'Amour Aquatique'—a group exhibition that pulses with the tensions of presence and absence, attachment and release, drawing viewers into the ebb and flow of aquatic love—at once universal and deeply intimate. Drifting through the protean forms of water as metaphors for the fluidity of love, grief, nostalgia, and memory, this exhibition brings together five artists, including Fran Chang, Omyo Cho, Soyoung Chung, Minouk Lim, and Luis Xertu, whose works are inspired by the continuous cycles of looping, evaporating, pooling, eroding, and flowing, wading into the liminal spaces where personal and political waters entangle.

Opening reception: 21 March, 2:00—7:00 PM

Gallery address: 9/F, E Tat Factory Building, 4 Heung Yip Road, Wong Chuk Hang

Whitestone Gallery is proud to announce the upcoming exhibition, "Resonance: A Collection of Creative Dialogues," featuring an exceptional lineup of contemporary artists whose distinctive styles reflect their recent achievements in the art world. The exhibition will run from 21 March to 9 May 2026, coinciding with the vibrant art season in Hong Kong.

The artists showcased in this exhibition are renowned for their innovative approaches and have garnered notable recognition through various institutional exhibitions, prestigious awards, and commercial collaborations. The participating artists include: Ay-O (b.1931, Japan), Soonik Kwon (b. 1959, Korea), Bao Pei (b.1960, China), Ronald Ventura (b.1973, Philippines), Philip Colbert (b.1979, UK), Julie & Jesse (b.1980, Hong Kong, and b.1975, USA), Jiang Miao (b.1981, China), Kim Deok Han (b.1981, Korea), Dai Ying (b.1983, China), Miwa Komatsu (b.1984, Japan), Kohei Kyomori (b.1985, Japan), Lee Chae (b.1989, Korea), and Chen Yingjie (b.1991, China).

Opening Reception 2026.03.21 (Sat) 3:00 pm - 6:00 pm

Gallery address: 7/F, M Place, Wong Chuk Hang

Lap-See Lam draws on experiences of the Cantonese diaspora, delving into migratory movement, generational loss, speculative history, and the otherization of cultural symbols through video installations, sculptures, and live performances. Her works blend contemporary techniques with traditional storytelling forms and references, taking inspiration from shadow play puppetry and Cantonese opera, as well as the aesthetics of Western Chinese restaurants. Her work creates mythical imaginations of Chinoiserie as defined by imperialist history, while reflecting on her personal family history of migration, to convey the complexities of cultural heritage.

Conversation: Trevor Yeung with Lap-See Lam, moderated by Olivia Chow: 21 March 2026, Saturday, 4pm (conducted in English)

Gallery address: 15/F, Po Chai Industrial Building, Wong Chuk Hang

For the past two decades, the internationally renowned art collective Slavs and Tatars have devoted themselves to a specific regional remit – which they define as ‘east of the former Berlin Wall and west of the Great Wall of China’ – comprising nearly a fifth of the Earth’s landmass. This expansive geography, like the collective’s name itself, serves as a rebuff (if not resistance) to reductive questions of identity plaguing the right and the left across the globe today. Their sculptures, books, installations and lecture performances celebrate a multilingualism and multiconfessionalism that make the otherwise daunting metaphysical inquiry – Who are you? – more joyful, irreverent and, alas, fluid.

For their first solo exhibition in Hong Kong – titled 胡 (هو / who) are you? – Slavs and Tatars bring together works across different media that dance merrily around the idea of being and belonging. The presentation includes newly commissioned works from their Love Me Love Me Not series (2014), which features four cities whose names (and their respective alphabets) have fluctuated according to which empire, nation or ruler they belonged. Concrete sculptures resembling road signs – Not Berlin Not Bukhara and Not Bahamas Not Baghdad – refuse to commit to a given destination. Each work highlights a choice between the spiritual/sacred (Bukhara is known as the fourth-holiest city in Islam after Mecca, Medina and Jerusalem) and the secular (Berlin’s Berghain or the Bahama’s beaches, to start); but the artists choose not to choose.

Gallery address: 11/F, M Place, 54 Wong Chuk Hang Road, Wong Chuk Hang

Ben Brown Fine Arts is pleased to announce Les Lalanne: A Living Landscape, a comprehensive exhibition of the celebrated artistic duo Claude and François-Xavier Lalanne, presented at the gallery’s Hong Kong space in conjunction with Art Basel Hong Kong 2026. Conceived as an imagined garden, the exhibition invites visitors into an immersive environment where art, nature and imagination converge.

The exhibition draws directly from the Lalannes’ environment. Their home in Ury, France, was a place of constant activity, where family life, animals and craftsmen shared the courtyard and art was inseparable from everyday existence. The house functioned as a working studio, while the surrounding gardens became a living museum. Gardens were particularly central to Claude’s practice – carefully shaped spaces of controlled wildness, where vegetation was allowed to flourish freely yet deliberately, animated her sculpture. This fusion of nature and art, cultivation and imagination forms the conceptual core of A Living Landscape.

Gallery address: 201 The Factory, 1 Yip Fat Street, Wong Chuk Hang

Behold, this ides of March: The Catalyst brings you the finest export from Newcastle upon Tyne, England. :zoviet*france: will be visiting Hong Kong, to bring us their perplexing visuals and dazzling auricular experience with a live performance.

<The Gate Is Open> LP + 12” boxed set w/T-shirt 
Limited 300 copies available at The Catalyst

Opening reception: 21st March, 6:30pm

26 March live performance at a secret location TBA.
 Physical tickets ONLY at The Catalyst, first-come, first-served.

Gallery address: G/F, 218 Hollywood Road

Carl Kostyál is pleased to present a duo exhibition by Camilla Engström (b. 1989, Örebro) and Julius Nordvinter (b. 2003, Gothenburg) at the gallery’s Hong Kong space in Landmark South.The exhibition marks Julius Nordvinter’s debut presentation in Asia and Camilla Engström’s return to the region, where she has established a strong presence in recent years.

Camilla Engström’s luminous landscapes and Julius Nordvinter’s psychologically charged portraits approach painting from different directions yet share a common lineage. Both draw on the imaginative terrain of Nordic folklore, where landscape, myth and the inner life often collapse into one another.

Opening reception: 4-6pm

Gallery address: 20/F, Landmark South, 39 Yip Kan Street, Wong Chuk Hang

Jutta Koether, born in Cologne, lives and works in Berlin and New York. Since the 1980s, she has been developing an alternative genealogy and practice of painting that have decisively shaped the current understanding of the medium. She programmatically connects her painting to performance, music, and textual production, and works and worked in collaborative projects with Reena Spaulings, Tom Verlaine, Steven Parrino, John Miller, Tony Conrad, and Kim Gordon, among others.

Koether's work was the subject of a comprehensive survey exhibition at the Museum Brandhorst in Munich and the Mudam in Luxembourg in 2018 and 2019. Other exhibitions of her work have been held at Artium Museoa in Vitoria-Gasteiz (2022), Museum Abteiberg in Mönchengladbach (2019), Dundee Contemporary Arts (2013), Moderna Museet in Stockholm (2011), Van Abbemuseum in Eindhoven (2009), and Kunsthalle Bern (2009). Her works are in collections of international museums, such as the Museum of Modern Art and Whitney Museum of American Art in New York, Museum of Contemporary Art in Los Angeles, Berlin National Gallery, Museum Brandhorst in Munich, Museum moderner Kunst Stiftung Ludwig Vienna, Museum Ludwig Cologne, and Stedelijk Museum Amsterdam.

Opening reception: Sunday, March 22, 4–8 PM

Featuring a live performance by Jutta Koether and Patrick Derivaz throughout.

Gallery address: 8 & 19/F Grand Marine Center, Yue Fung Street 3

An Alternative Scale

check-in SIDE SPACE compresses the traditional art fair booth into the scale of a suitcase: each gallery presents only what can be carried onboard a plane. Works may be disassembled, packed during transit, and reassembled on site, but every element must fit within the dimensions of standard cabin luggage. By restricting presentations to this radically reduced footprint, check-in SIDE SPACE sharpens curatorial intent, challenging galleries to show only what can withstand such extreme distillation. 

An Alternative Rhythm

Conceived as a nomadic structure, check-in SIDE SPACE is designed to be hosted and reinterpreted by different galleries in different cities. The format echoes the itinerant rhythm of collectors flying into a city for an art fair: arriving with suitcases, rushing between venues and exhibitions—often held in provisional spaces—and swiftly departing. This flavor of mobility and impermanence also draws on Hong Kong’s 走鬼 street vendor culture of the 1960s and 70s. While mirroring the compressed choreography, we slow down the tempo, encouraging genuine encounters with both art and the city.

An Alternative Way of Arriving

check-in SIDE SPACE 2026, hosted by THE SHOPHOUSE, unfolds in Hong Kong’s Starstreet Precinct in Wan Chai—a charming, walkable neighborhood enclave of cafes, small shops, and local galleries. Alongside the suitcase presentations, a peripheral program of events, collaborations, workshops, and performances offers moments of exchange within the city’s social and cultural fabric. For visitors in town only briefly, check-in SIDE SPACE proposes more than just another stop on the circuit—it urges a different mode of arrival.

Opening: March 23, 2026 | 5 – 8 pm
Venue: 5 Sun Street Wan Chai

Zheng Zhou (b. 1969, China) is a painter of instinct, conveying onto canvas observations from the world, as ad hoc as they may be. His strokes, furtive yet decisive, depict an urgency to grasp that mesmeric multitude of the cosmos, the ‘phenomena’ we, or more precisely he, is a witness to. Referencing ‘I Ching’ (“The Book of Changes”), Zheng channels the astronomical, remarking the myriad of components that make up our universe, mimicking its duplicity through his subject range, hues and techniques.

Opening: Mon, 23 March, 6 – 8 PM

Gallery address: 10 Sik On Street, Wan Chai

For the first time in Hong Kong, contemporary artist Ayako Rokkaku will launch a large-scale installation and exhibition at LANDMARK Atrium and BELOWGROUND, presented in partnership with GALLERY TARGET.

In conjunction with the exhibition, contemporary artist Ayako Rokkaku collaborates with AllRightsReserved to debut her first-ever lamp artwork, translating Rokkaku’s artistic language into sculptural form. This limited edition object will be released via DDT Store (www.ddtstore.com); Limited quantities will be made available exclusively to exhibition visitors.

Venue address: Basement, 15 Queens Road Central

PAVILION is an alternative to traditional art fairs. It brings together a careful selection of international and local galleries showcasing emerging, mid-career, and established contemporary art. Booths are replaced with a flowing, curated presentation. It centers slow growth, earnest connections, and cultural conversations. It is a site for both developing collections and starting new ones. The model offers visitors and participants moments of pause and reflection. It embraces non-extractive, green architecture.

PAVILION was founded by husband-and-wife duo Willem Molesworth and Ysabelle Cheung in the summer of 2025 and its first edition will take place in Taipei in January 2026, followed by its flagship event in Hong Kong in March 2026.

Tickets and programme.

Venue address: 11/F & 12/F, H Queen’s, 80 Queen’s Road Central

Join us for the preview of Frank Tang’s newly developed work “Akiyoshidai Daydreaming” — a mechanically activated installation developed during his residency at the Akiyoshidai International Art Centre. Rooted in field research on Akiyoshidai — the limestone plateau that holds 350 million years of soil, stone and plant life — Tang fuses printmaking, painting and data visualization into a mechanically activated installation that stretches the limits of two-dimensional practice. The work translates landscape histories and datasets into a data-driven kinetic installation that invites makers to rethink the relationship between human and nature.

23.03.2026 – 04.04.2026 | 12:00 – 19:00

Venue address: 303 JCCAC, 30 Pak Tin Street, Shek Kei Mei, Kowloon

Are you not invited to bougie art parties during art week? Don’t fret, so are we.

You know what’s more meaningful than to sip champagne and pretend that you actually like that piece of painting that stings your eye? — An actual party to hang out with the pioneering young artists in town, where it only requires you to genuinely enjoy the moment, with zero pretence.

Come see some art you won’t find elsewhere, hang out, drink our booze and have some great vibes away from the serious hoity toity art world with us.

6 PM till late for all of you feral art animals. 25th of March is the date.

See you soon. Be there, or be square.

Venue address: 1/F, 23 Lan Fong Road, Causeway Bay

We are delighted to launch Knotting Space, a cycle-based curatorial platform in Hong Kong, the first cycle will debut on 23 March to 18 April 2026 at 7/F H Queen’s in Central. Through curated pairings across a diverse scale of practices, each cycle turns the space into a meeting ground for collectors, galleries, institutions, and non-profit organisations.
Knotting Space is conceived as a long-term project that bridges the commercial and charitable projects — a model where audiences are exposed to a wider discourse in the local art ecosystem from emerging to established voices. The debut exhibition Knot I: The Drawing Room and HUA International presents Soft Reality, Hard Dreams will be launched by Director and Curator of Knotting Space, Jims Lam, an independent curator based in Hong Kong who also serves as the curator of the 2026 edition of Pavilion Hong Kong at H Queen’s. With Knotting Space, Lam develops the programmes through deliberate pairings that connect cross-cultural perspectives and cross-regional geographies. He brings together exhibitors with distinct yet compatible approaches, so new readings can emerge through proximity.

The inauguration cycle of a total of four cycles in 2026, KNOT I: The Drawing Room and HUA International titled Soft Reality, Hard Dreams, brings together new and latest works by Vivian Caccuri (b.1986, Brazil), Jinbin Chen (b.1994, China), Mark Justiniani (b.1966, the Philippines), Matina Partosa (b.2000, the Philippines), and Shi Yi (b.1993, China).

Wei Gallery is pleased to present an upcoming exhibition exploring the cultural memory woven into Persian carpets.

For centuries, carpets have been more than decorative objects. They are vessels of stories, symbols, and history — carrying the visual language of a civilisation across generations. Bringing together 20 rare carpets, the exhibition traces how Persian visual traditions travelled across regions through the networks of the Silk Road, shaping artistic languages far beyond their place of origin.

Venue: Chatham Maison

We are excited to present WEEKENDERS, a suitcase art fair at Sansiao Gallery HK during Hong Kong Art Week. This compact and intimate platform brings together exhibitors from Hong Kong, Tokyo, Kobe, and Singapore, creating space for direct exchange and thoughtful presentation.

Featuring Chun Poon, Eunoia, Juri Akiyama, Li Jingwen SEIBUN, Samantha Lee, Urich Lau, Souya Handa Projects, and Sansiao Gallery HK.
Led by Fair Director Yukie Sanderson and Artistic Director Souya Handa, WEEKENDERS invites visitors to experience artworks up close and enjoy meaningful conversations around art.

Opening Reception: 23 March 3-7 PM

Gallery address: 104 Wilson House, 19-27 Wyndham St, Central

Pearl Lam is pleased to present 'Bearing the Unseen', a solo exhibition featuring works by Shanghai-based artist Qiu Anxiong, on view from 23 March to 30 May at our Hong Kong gallery.⁠
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'Bearing the Unseen' presents a new body of paintings that imagine a utopian natural world inhabited by displaced animals and human figures, addressing our fractured relationship with nature and our enduring desire to control it.⁠
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The word 'Bearing' carries multiple layers of meaning- to hold, to endure, to bear witness, and to strive for control or possession, all gestures linked to human agency and burden. In contrast, 'the Unseen' refers to what lies beyond ordinary perception, inviting us to question our beliefs and to see the world anew. Through Qiu’s poetic vision, animals, once silent sufferers, emerge as profound witnesses to human exploitation, reflecting both our folly and our shared destiny.⁠

Grand opening: 23 March, 2-8pm

Gallery address: G-3/F, W Place, 52 Wyndham Street, Central

Co-commissioned by M+ and Art Basel, and presented by UBS, Shahzia Sikander’s 3 to 12 Nautical Miles (2026) is a radiant cinematic tableau, animated from hand-painted images, navigates the enduring currents of power and trade that have shaped the global landscape from the nineteenth century to the modern era. The work will be shown on the M+ Facade every night from Monday, 23 March to Sunday, 21 June 2026. The commission marks the fifth consecutive year of collaboration between M+ and Art Basel, presented by UBS, in activating the M+ Facade.

In '3 to 12 Nautical Miles', Sikander traces the entangled histories of empire, trade, and maritime power that linked the British East India Company, Mughal India, and Qing China. This animation charts the decline of Mughal authority under Akbar II, the internal strains of the Qing dynasty, and the East India Company’s rise from commercial venture to territorial power. Within this context, the work interrogates Britain’s opium cultivation in India, its coercive trade with China, and the First Opium War, exposing the mechanisms of imperial extraction and the deep power asymmetries between Britain and China at the time.

Christie’s begins a year of 40th Anniversary celebrations in Asia and commences the Hong Kong spring season with the announcement of Gerhard Richter’s seminal and incandescent Abstraktes Bild (estimate: HK$78,000,000 – 98,000,000 / US$10,000,000 – 13,000,000). The masterpiece will make its auction debut as a leading highlight of the Hong Kong 20th/21st Century Evening Sale on 27 March 2026, taking place live at Christie’s Asia Pacific headquarters at The Henderson during Hong Kong Art Week.

Venue address: 6/F, The Henderson, 2 Murray Road, Central

Presented in partnership with UOB, Art Central spotlights a diversity of emerging and established artists represented by pioneering galleries from Hong Kong, Asia, and beyond. Art Central returns to Hong Kong’s iconic Central Harbourfront from 25 to 29 March, with a VIP Preview on Tuesday, 24 March.

A cornerstone of Hong Kong Art Week, the eleventh edition of Art Central will present over 100 distinguished galleries accompanied by a five-day programme of performances, installations, video art, and talks. The Fair offers art collectors and enthusiasts a dynamic platform to engage with forward-thinking contemporary art, spark inspiration, and foster meaningful cultural connections.

Book your tickets!

First conceived in 2015 as part of his Curiosity Box - Hometown Tourist project, Guest Room Theater began as an experiment in estrangement — Lam Tung Pang checking into a Wanchai love hotel to wander Hong Kong as a “tourist.”

In 2026, after years of self‑exile in Vancouver, Lam Tung Pang returns to a city transformed by rupture. The “guest room” becomes both shelter and stage: a liminal space where intimacy collides with alienation, and identity is rehearsed under displacement.

Video works and installations unfold across bedroom and living room, weaving memory, exile, and fragile architectures of belonging. Between homeland and diaspora, Lam Tung Pang’s practice exposes how identities are continually forged under rupture and resistance.

Drop by, share the room, share the story.

24–29 March
Pop‑up during Art Basel Hong Kong | By appointment
Venue address: Yue On Building, Wan Chai (10‑min walk from Art Basel)

White Cube is pleased to present a concurrent two-city exhibition of new works by renowned Ghanaian sculptor El Anatsui. Timed to coincide with Art Basel Hong Kong, the exhibition debuts new sculptural installations from his celebrated ‘bottle top’ series, created in his Accra studio using locally sourced discarded bottle caps. These shimmering, meticulously assembled works reflect Anatsui’s ongoing engagement with material transformation, global exchange and the shifting histories embedded in everyday objects.

Hong Kong: 24 March – 25 April
Seoul: 18 March – 18 April 

Gallery address: 50 Connaught Road Central

Tang Contemporary Art Hong Kong is pleased to present “Crab,” a solo exhibition by renowned Chinese artist Yue Minjun. The exhibition traces back his artistic journey over the past three decades, systematically showcasing his major series, while unveiling new works that expand his distinctive visual language. Yue Minjun’s artistic practice does not follow a linear path; instead, it moves sideways like a crab — shifting across mediums, repeatedly returning to specific motifs, when maintaining tension among multiple directions. The exhibition “Crab” names this nonlinear, non-unidirectional creative structure, metaphorising how the artist “walks on multiple legs” to break free from a singular perspective, thus, examining artistic creation and social reality through multidimensional exploration.

Since the early 1990s, Yue Minjun has established a highly recognisable visual language through his exaggerated, yet closed laughing figures. This “laugh” has been reproduced and interpreted continuously in the global context, nearly becoming his personal signature. However, focusing solely on the smiling face risks overlooking a more crucial structural trait in his work: a flow of thinking that rejects linear progression and travels sideways like a crab.

Opening Reception: Tuesday, 24 March, 6–8 pm
7 pm Special Performance by Ensemble Apeiron

Gallery address: 10/F, H Queen’s, Central

Ora-Ora is delighted to present the first solo show at Ora-Ora by celebrated Hong Kong artist William Lim. "Time After Time" opens during Art Month, on March 24, 2026, presenting 23 paintings, executed at the West Lake in Hangzhou across the four seasons.

Painting intensely en plein air, the artist captures historical harmonies and dynamic moments of change, where art converses with nature, informed by literature, myths and self-reflection.

Each canvas is saturated with the immediate sensation of light, air, and weather, generating an immersive space that invites us to contemplate permanence through transience, and deep history through the fleeting present.

Opening Reception: March 24, (Tuesday) 4:00 pm - 8:00 pm, artist will be present for the book signing

Gallery address: 105-107, Barrack Block, Tai Kwun, Central

MASSIMODECARLO is pleased to present A Grass Roof, Lily Stockman's first exhibition in Hong

Kong. Stockman takes her title from an eighth-century poem by the Tang Dynasty Buddhist master Shitou Xiqian, whose Song of the Grass Roof Hermitage makes an audacious claim: "though the hut is small, it includes the entire world." The six new paintings test whether paint might do the same thing. Exploring the phenomenological proposition at the heart of Shitou's poem - where the protagonist dissolves into perceived space through portals of color and permeable boundaries - Stockman's canvases collapse the distinction between interior refuge and infinite expanse. Can a painting contain everything?

The works unfold in a narrow palette of blues and greens - frames nesting within frames, organic shapes blooming and receding, scumbled outlines and slivered shadows creating what Stockman describes as a "permeability" between self and spaciousness.

Opening Reception: Tuesday, March 24, 6-8pm The artist will be present

Gallery address: Shop 03-205A & 205B & 206, Second Floor, Barrack Block, Tai Kwun

David Zwirner is pleased to present Pearl Lines, an exhibition of new paintings by New York–based artist Walter Price (b. 1989). Price is known for his richly vibrant paintings and drawings, which bypass strict allegiances to representational or abstract modes. His canvases and works on paper not only experiment freely with color, line, and space but also reveal emphatic shifts in perspective, suggesting scenes and imagery that the artist ultimately leaves for viewers to absorb and contemplate on their own.

This is Price’s first solo exhibition in Asia, and his second with the gallery since he joined David Zwirner in 2024. Price’s work is also included in the 2025–2026 group exhibition MONUMENTS, co-organized and co-presented by The Brick and the Museum of Contemporary Art, Los Angeles, and curated by Hamza Walker, Kara Walker, and Bennett Simpson.

Opening Reception: Tuesday, March 24, 3–7 PM

Gallery address: 5–6/F, H Queen’s, Central

Nicole Eisenman’s ‘Fallen Angels,’ as the title suggests, is the artist’s most down-to-earth show in years. Comprising eleven recent paintings and three sculptures, the exhibition narrows the field of vision to three sites of middle-class living: home, work, beach. Nearly all of the paintings are easel-sized, while two of the sculptures (made with a table and a chair, respectively, from Eisenman’s studio) feel like accidental readymades, even ex situ. The contraction of scale and contemplative tone stands in contrast to Eisenman’s reputation for crowded tableaux and picaresque social scenes, but the work is no less demanding. Here, figures linger, hesitate, repeat themselves; time settles into familiar spaces. The ambition lies not in spectacle but in attention, in the difficulty of staying with what is close at hand. The first two sites—home and work—have collapsed into each other. The third offers no escape. 

One of these works is not like the others. ‘Fallen Angels’ (2025), the painting that gives the show its title, looks like an alternate movie poster for Wong Kar-wai’s 1995 neo-noir. At first, it seems out of place amid the quiet representations of home and work life, but once you remember that Kar-wai shot the film entirely at night, you realize it’s key to the meaning of the whole exhibition. Look through the window or up at the sky in nearly any of these paintings, and you’ll see it immediately. For Eisenman, the world outside is dark and getting darker. 

Artist Talk: Tuesday 24 March 5 – 6 PM 

Opening Reception: Tuesday 24 March 6 – 8 PM 

Gallery address: G/F, 8 Queen’s Road Central

Korean Cultural Center invites you to the opening reception of "From Korea to Hong Kong: Expanding Horizons", a group exhibition with 11 Korean galleries that participate in Art Basel Hong Kong 2026, showcasing the artworks of 11 artists.

Manna Lee 李萬娜 (Sun Gallery), Michael Joo 米高·朱 (Kukje Gallery), Jae Yong Kim 金載容 (Hakgojae Gallery), Won Seoung Won 元性媛 (Arario Gallery), Kang Hoon Kang 姜康薰 (Johyun Gallery), Kyung-Chul Shin 申炅澈 (Leeahn Gallery), Sujin Choi 崔秀珍 (G Gallery), Jaeseok Lee 李在錫 (Gallery Baton), Youjin Yi 李裕珍 (Wooson), Muyeong Kim 金武永 (N/A), Jonghwan Lee 李鍾晥 (Cylinder)

Opening Reception: Tuesday, 24 March 2026, 6:00 – 8:00 PM (Artists introduction at 7 PM)

Venue: 6-7/F, Block B, PMQ, 35 Aberdeen Street, Central

Gagosian is pleased to announce Persephone, Mary Weatherford’s first solo exhibition in Asia, opening at the gallery in Hong Kong on March 24, 2026. In the new paintings on view, Weatherford explores light and color, and pursues her interest in found materials, collage, and neon through a mythological theme that resonates with the changing seasons.

Persephone features luminous paintings in vinyl emulsion paint on linen. Some are augmented by colored neon tubes, seashells, or coral. In Greek mythology, Persephone is stolen from earth to become queen of the underworld; upon her return she presides over springtime renewal. As in the Chinese myth of Nian, a hibernating beast that emerges at year’s end, her story explains the cycle of seasons: when Persephone is abducted by Hades, her mother Demeter’s grief causes all plant life to cease. An eventual compromise requires Persephone to spend part of the year below ground, and the other part on earth, allowing spring flowers to bloom, bees to buzz, and blue summer skies to bring joy. Weatherford’s new series imagines the earthquake of Persephone’s disappearance and her journey into radiance, representing her achievement of new life.

Opening reception: Tuesday, March 24, 6–8pm

Gallery address: 7/F Pedder Building, 12 Pedder Street, Central

DE SARTHE is pleased to announce Jack Tworkov 1900-1982: Pioneer of Abstract Expressionism – A Survey, an exhibition of key works by the influential American painter from the late 1940s to early 1980s, organized with the support of the Estate of Jack Tworkov, Van Doren Waxter, and major US and Asian collectors. Marking this historically significant artist’s first major retrospective in Asia, the exhibition follows the evolution of his practice, characterized by the artist’s disposition toward creative fluidity and shifting identities, with a focus on the years in which he played a pioneering role in the Abstract Expressionist movement alongside peers including Willem de Kooning, Jackson Pollock, and Mark Rothko. On view from March 21st to May 9th, the exhibition offers a journey through history made via the eyes and hands of its maker.

Opening reception: Tue, Mar 24, 8-10pm

Gallery address: 2/F, Vita Tower, 29 Wong Chuk Hang Road

Hong Kong fair features premier galleries from Asia and beyond. It provides an in-depth overview of Asia-Pacific's astonishing diversity, as well as global artistic perspectives through Modern and contemporary works.

Tickets

Asia Society Hong Kong Center proudly presents Hung Hsien: Between Worlds, the first part of “Celebration of Ink” – a two-part series that celebrates the profound legacy and spirit of contemporary ink art.

93-year-old Hung Hsien (洪嫻, Margaret Chang) was born in Yangzhou, China in 1933, she moved to Taiwan in 1948, where she studied under revered scholar-painter Prince Pu Ru. She continued her studies at National Taiwan Normal University before relocating to the United States in 1958, where she engaged deeply with Abstract Expressionism, Surrealism, and other modernist movements while studying at Northwestern University and the School of the Art Institute of Chicago.

Gallery address: 9 Justice Drive, Admiralty

Fresh Spread is the first pop-up by Hot Source, a new shop selling and celebrating print magazines in Hong Kong.

Fresh Spread offers a neat selection of titles from across the globe that present new perspectives on contemporary culture. The exciting line-up—includingFatboy Zine, MacGuffin, Pleasant Place, Viscose Journal, and other magazines rarely seen in Hong Kong—explores art, design, fashion, food, gardening, sound, and more.

Fresh Spread will be hosted at Noii Arthouse, Sham Shui Po, in collaboration with artist and photographer Kary Kwok, who will display a selection of 70s and 80s Hong Kong fashion magazines from his personal collection. These include Hong Kong Fashions, Ladies and Home Pictorial Fortnightly, Image, Style, The Companion Pictorial, and Sister’s Pictorial. A programme of cultural events, including talks, life drawing, and zine-making, will bring people together and the magazines to life. 

By Appointment.

Location: Noii Arthouse, 170 Yee Kuk St, Sham Shui Po

Central Yards Edible Art Fair, Hong Kong’s brand new reimagined cultural event that blends art, taste and imagination, today unveils collaborations with renowned local artists Angela Yuen and Frog King (Kwok Mang-ho), each presenting immersive, site-specific installations. This further strengthens the ‘Made in Hong Kong’ concept as a not-to-be-missed event in the city’s Arts Month calendar. With ten galleries, each inspired by an iconic art movement and paired with a uniquely crafted edible creation, visitors are invited on an immersive journey that is set to delight people of all ages.

Where Art Meets Flavour: 10 Art Installations, 10 Edible Experiences

Ten immersive art installations await visitors of Central Yards Edible Art Fair, each a multi-sensory experience that introduces the defining characteristics of an iconic art movement. This playful, inclusive celebration of art is a delicious adventure, engaging all senses in a journey that blends art, taste and imagination. It invites visitors to move beyond simply seeing to step inside and experience the emotional resonance of art in a whole new way.

Along the journey, visitors encounter flavours that spark wonder, with bite-sized delights offered in each gallery that are designed to deepen visitors’ connection to the art, including Jelly Dog, Choc Duck, Fruit Ribbons, Liquid Palette, Banana, The Tin, Eggie in Blue, In Bloom, Hidden Gems and Froggy Biscuits. By bringing food and art together at the centre of experience, the event channels a new pathway to appreciate the boundless possibilities of creative expression in a truly ‘delicious’ new form, making art not only something to see, but something to live, learn, and remember.

Tickets are now available at www.edibleartfair.com.

Flowers Gallery Hong Kong is pleased to announce Leviathan, marking the acclaimed

Scottish artist Ken Currie’s second solo exhibition in Asia. Presented in Sheung Wan, a district historically shaped by a maritime and trading past. Currie’s new paintings enter into a quiet dialogue with the area’s longstanding relationship to its harbours.

In this exhibition, Currie explores our human instinctual terror and fascination with the unknown, using what may be found when we look into the depths of real and imagined seas. Two new monumental oil paintings, Immemorial III (2024) and Leviathan (2024), portray colossal, fictitious sea beasts as they appear to charge up through dark waters.

Preview: Thursday, 26 March, 10am-12pm

Gallery address: 49 Tung Street, Sheung Wan

Alongside our presentation at Art Central 2026, The Jeeum Gallery is pleased to present Choi Kichang’s solo exhibition “Everything is going to be alright”, opening in our Central gallery space.

In this exhibition, Choi Kichang revisits the enduring question of what role art can still play in everyday life. Drawing inspiration from minhwa, Korea’s traditional folk painting, the artist reflects on how images once functioned beyond decoration — as gestures of protection, prayer, and hope embedded in daily life.

As the exhibition text notes, Choi’s practice attempts to grasp "an energy that exists but cannot be proven." Through repetition, chance, and material experimentation, he explores what practical use contemporary art might still have in our lives today.

Opening Reception 26 March 2026, 6-9 PM
The Jeeum Gallery, 
3/F, 9 On Lan Street, Central

“The landscapes we rush past, the people we brush shoulders with, and the everyday objects we often overlook are given new life through his fingertips.”
— Curator Raymond Wong

City Memories at Fingertips is the first solo exhibition organized by St James Creation, presenting ceramic artist William Siu’s 17 years of creative practice.

The exhibition features over 60 works, many of which are being shown for the first time, alongside selected pieces that have previously been exhibited internationally.

We warmly invite you to wander through these memories shaped at the artist’s fingertips.
Opening Reception: March 26, 6:00 PM

Venue: Co-Ninety, G/F, 27 Sau Wa Fong, Wan Chai

Where Things Give Way, curated by Francesca Marcaccio, brings together five Italian artists in a site-sensitive exhibition presented at Lamma Art Collective on Lamma Island. Conceived during Hong Kong’s art week, the project unfolds as a meditation on gravity, process, and the persistence of matter within a city defined by velocity and vertical expansion. The exhibition inaugurates a new series of curatorial projects in Hong Kong developed by Marcaccio, extending her ongoing engagement with the city through a sustained dialogue between contemporary Italian artistic practices and Hong Kong’s evolving cultural landscape. The exhibition brings together works by Daniele Di Girolamo, Simone Doria, Ado Brandimarte, Federica Vesprini, and Sara Cerquetti, whose practices converge at a shared threshold: the point at which matter becomes vibration and process assumes form.

Venue: Lamma Art Collective, Lamma Island

The Hang Seng University of Hong Kong (HSUHK), in partnership with ArtNext, presents the solo exhibition of acclaimed Chinese contemporary artist Wang Yi（王一）, “The Stars Are Not Afraid to Appear Like Fireflies”. Co-curated by Mianco Wong and Sissi Xie, it features recent works from Wang’s iconic Reflection of Shadow series alongside the new Ksana series.

 The exhibition’s title draws from Rabindranath Tagore’s Stray Birds, using “shadow” as a lens to examine how self-awareness forms through light reflections, personal experiences, and societal structures, while true existence often remains elusive. Layered, ephemeral imagery in paintings invites viewers to engage with the dynamics of “seeing and being seen”, prompting reflection on the visible and invisible, the individual and the environment.

The immersive space is designed as an abstract maze of reflective black glass and red bulbs, echoing the venue’s floor-to-ceiling windows and Hong Kong’s layered urban architecture. The red tungsten bulbs suspended in space serve as a metaphor and warning for the era we live, as visitors navigate through the installation, their reflections illuminate, refract, and overlap, heightening awareness of their existence amid forces of resistance and dissolution.

Venue address: Foundation Gallery, 1/F, Creative Humanities Hub (CR), The Hang Seng University of Hong Kong, Hang Shin Link, Siu Lek Yuen, Shatin

Jointly organised by The Met and the Hong Kong Palace Museum (HKPM), this special exhibition showcases global jewellery from six continents spanning over 4,000 years, and marks The Met’s debut in the Greater Bay Area. Featuring approximately 200 spectacular treasures alongside select highlights from the HKPM collection, the exhibition explores the enduring relationship between the body and jewellery. These masterpieces display the depth and breadth of the encyclopedic collection of The Met while celebrating the diversity and interconnectedness of global jewellery.

Gallery 8, Hong Kong Palace Museum

Poet John Giorno (American, 1936–2019) initiated Dial-A-Poem in 1968 to bring poetry into everyday life. Believing that ‘much poetry is intended to be heard, not merely read’, he invited writers, artists, and musicians to contribute works that anyone could access by dialling a hotline. The project later evolved into a gallery installation of telephone sculptures, allowing visitors to listen to randomly selected readings.

In recent years, the project has expanded internationally. Versions developed in France, Mexico, and Brazil showcase works by local makers in their own languages. Dial-A-Poem Hong Kong features newly recorded readings in Cantonese, Mandarin, and English by approximately thirty local poets, including Bei Dao, Cao Shuying, Tim Tim Cheng, Chow Hon Fai, Derek Chung, Olivier Cong, Ho Fuk Yan, Hon Ki Chau, Huang Canran, Kitty Hung, Stuart Lau, Louise Law, Liu Wai Tong, Lok Fung, Luk Wing-yu, Isadora Neves Marques, Wong Hin Yan, Jennifer Wong, Nicholas Wong, Peace Wong, Sonia Wong, Xixi, Yam Gong, Yasi, Yau Ching, Eric Yip, and Zheng Danyi, and more. Visitors can listen to the poems via telephones in the Focus Gallery or by calling a local phone number.

Hong Kong Film Awards Best Picture Twilight of the Warriors: Walled In is not just a story of the Walled City; it is also a Hong Kong story. This film reunited Hong Kong film professionals, as the complete movie sets were built and shot in Hong Kong. They joined hands to recreate the Walled City, which was demolished in the early 90s. Audiences found the more than 50 sets in the film stunning.

The classic sets of the film are now located on the original sites of the Walled City – the present Kowloon Walled City Park. To re-create daily life in the Walled City, this movie set exhibition has been meticulously crafted with immersive designs and elements of traditional crafts. Visitors can also experience the sights and sounds of airplanes flying low over the Walled City through large projections.

This exhibition showcases not only the movie sets but also the outstanding creativity and craftsmanship of Hong Kong film professionals. Let us immerse ourselves in this cinematic journey and explore the Walled City and the charm of Hong Kong movies.

Yamen, Kowloon Walled City Park

This exhibition brings together two thought-provoking works from the M+ Collection by artists Heri Dono (Indonesian, born 1960) and Wael Shawky (Egyptian, born 1971). Both artists explore how civilisations evolve and intertwine, drawing on enduring traditions such as mythology and folk tales, oral storytelling, and theatre. These forms do not merely connect us to the past—they invite us to imagine alternative futures beyond the relentless drive of economic progress and modernisation.

Wael Shawky’s video work I Am Hymns of the New Temples (2023) delves into humanity’s beginnings and the construction of national narratives. Set among the ruins of Pompeii, actors wearing handmade ceramic and papier-mâché masks move through the remnants of the city, situated at the ancient crossroads of exchange between Egyptian, Greek, and Roman cultures. The work reinterprets shared creation myths and theatrical traditions to explore our need to make sense of the world through storytelling, and the way these narratives are adapted and reshaped for national purposes.

Heri Dono’s kinetic installation Fermentation of the Mind (1992–1993) resembles a classroom, featuring rows of old wooden desks topped with white fibreglass heads. When activated by a pedal, the heads nod in unison and emit distorted chanting sounds. The work is inspired by Indonesia’s sociopolitical landscape in the early 1990s, particularly the state’s influence on public opinion and independent thought through propaganda. Drawing on the rich Javanese tradition of wayang kulit (shadow puppetry), Dono uses satire to reflect on history, society, and culture.

Venue address:

This exciting, family-friendly exhibition explores contemporary design and its hidden impacts on our everyday actions, like walking, eating, and sitting. It reveals how design can improve our lives, influence our behaviours, and foster human connections. General director Taku Satoh (Japanese, born 1955), video director Yugo Nakamura (Japanese, born 1970), and music director Shuta Hasunuma (Japanese, born 1983) invited designers and artists to respond to the exhibition’s ideas, resulting in a variety of activities: hands-on games, interactive installations, and immersive audiovisual rooms. The show aims to spark creativity and surprise—moments of inspiration that make you say ‘Ah!’.

Design Ah! at M+ is an adaptation of the highly successful exhibition at TOKYO NODE, produced with NHK Educational and NHK Promotion. It is based on Design Ah! neo, a Japanese children’s educational television programme produced by Nippon Hōsō Kyōkai (NHK, the Japan Broadcasting Corporation). The programme has received numerous international awards, including at the Prix Jeunesse and Peabody Awards. The M+ presentation is the first Design Ah! exhibition organised outside of Japan.

Venue address: Main Hall Gallery, G, M+

This presentation celebrates the museum’s fifth anniversary with a significant donation to the M+ Collections from Herzog & de Meuron (established Switzerland, 1978), the world-renowned architecture firm that designed the museum building.

The exhibition showcases newly donated models, drawings, and material samples that reveal Herzog & de Meuron’s innovative architectural practice. It focuses on built and unbuilt projects in China, including landmark buildings such as M+ (2013–2020), Tai Kwun in Hong Kong (2006–2018), and the National Stadium in Beijing (2002–2008), as well as urban planning projects that respond to how territory and landscape fundamentally shape the form of cities. These works reflect the firm’s deep engagement with China since the early 2000s, set against the backdrop of the country’s rapid economic growth and ambitious infrastructure development.

Myths, Monsters, and Manga: The Art of Fantasy in Asia explores the role of fantasy in the evolution of Asian visual culture and its global impacts. Spanning from the nineteenth to twenty-first centuries, the exhibition presents fantasy as a potent creative tool for artists to respond to shifting sociopolitical conditions. Through imaginative stories, characters, and worlds, these artists confront complex realities that resonate with contemporary experiences. This groundbreaking exhibition reveals the links between a wide range of genres and styles, highlighting historical connections that have rarely been explored.

Unfolding across four chapters, the exhibition begins with pre-modern traditions such as Japanese ukiyo-e woodblock prints, Indonesian shadow puppetry, and Tibetan Buddhist scrolls. These traditions helped establish fantasy as a foundational element of Asian visual culture. Chapters two and three trace major twentieth-century developments, including the spread of Surrealism through Asia and the post-war emergence of Japanese manga and anime. The final chapter presents the explosion of fantastical anime aesthetics in art, design, architecture, film, fashion, video games, and digital culture around the world that continues to the present day. It shows how these creative forms move fluidly across disciplines and regions in the twenty-first century.

Windows into Heaven (working title) is a special exhibition that offers a rare glimpse into the profound legacy of Eastern Orthodox art. It presents about 100 important icon paintings and gemstone-encrusted treasures of Orthodox Christian art that span nearly a millennium from the renowned State Tretyakov Gallery in Russia. Tracing the evolution of Eastern Orthodox art, the exhibition highlights the significance of visual narratives related to Christ, the Virgin Mary, saints and the Bible in Eastern Orthodox art traditions.

Gallery 9, Hong Kong Palace Museum

Jointly organised by the Hong Kong Palace Museum and the Guimet-National Museum of Asian Arts in Paris, this exhibition features nearly 150 masterpieces of Buddhist art from Guimet’s world-class collection, complemented by significant objects from Chinese Mainland museums. The exhibition highlights the transmission of Buddhism and the stylistic development of Buddhist art along the Silk Roads. Embark on a journey across Asia, from Afghanistan and China to the Korean Peninsula and Japan, spanning from the 1st to the 10th century, discover how Buddhist artistic traditions were shaped through a millennium of dialogue, movement and connectivity.

Gallery 8, Hong Kong Palace Museum