Imagine a parallel world, similar to our own Earth, but where the plant kingdom has evolved in entirely different ways. In this alternative universe — that of potentially habitable exoplanets — plants find their astrobotanical doubles, shaped by other magnetic, gravitational, and atmospheric forces. Flora incognita is this new uchronia proposed by Vincent Fournier: a speculative herbarium dedicated to the possible forms of plant life, at the crossroads of art and botany.  

With the collaboration of scientists from the Muséum national d’Histoire naturelle, the artist anchors fiction in reality. In the spring of 2025, at the Domaine des Étangs in France’s Limousin region, he transposes the site’s local flora onto the exoplanet Prima sidera to imagine its evolution.  

Reinterpreted through 3D technologies, this encyclopedic herbarium achieves an unprecedented photographic precision, in the lineage of the great naturalist iconographies, from Anna Atkins to Karl Blossfeldt.  

Opening reception: 6.5.2026（Wed） 6 – 8 pm

Gallery address: G/F, 74 Hollywood Road, Central

Kwai Fung Hin Art Gallery is pleased to present the group exhibition A Ride in Fantasies, exploring contemporary interpretations of the horse as a classical motif across diverse cultures, featuring France-based Chinese sculptor Guo Chengdong, Chinese artists Xue Song and Zhang Gong, Egyptian artist Ibrahim Khatab, and others.  

Through sculpture, painting, and collage, artists variously regard the horse as an embodiment of cultural memory and identity, conveying ideals of freedom and aspiration, or as a vehicle for formal exploration of bodily tension and spatial dynamics. The exhibition navigates from historical symbolism to contemporary narrative, revealing the horse’s multidimensional presence in both form and spirit in contemporary art.

Gallery address: 9/F, Entertainment Building, 30 Queen’s Road Central, Central

Leo Gallery Hong Kong is pleased to present The Raft, a solo exhibition by British artist Dylan Doe. Taking the raft as metaphor, Doe expands “raft” from a life-saving device adrift at sea into a structural condition that temporarily underpins, supports, and shapes form in the process of becoming. Throughout this series, human figures and plant forms intertwine in states of co-growth.

In this body of work, fragmented figures and mutating plant forms emerge within carefully constructed environments. Limbs are braced, stems are supported, bodies are partially fused with external frameworks. The title The Raft carries a quiet tension. “The Raft” suggests survival and suspension, a structure that keeps one afloat when solid ground is absent. It also evokes a base, like those used in 3D printing, where delicate forms require temporary supports. In Doe’s works, these rafts do not disappear once their task is complete. They remain, in fact merge with the figures they sustain, becoming part of their anatomy.

Opening reception: Tuesday 5 May 2026 | 6-8 pm

Gallery address: G/F, 46 Sai Street, Sheung Wan

Contemporary by Angela Li is proud to present "Soma", curated by Hong Kong curator, Shirky Chan, a group exhibition featuring Gordon Chi, Cynthia Kwok, Claire Lee, and Alyssa Tang. 

In ancient Greek, soma simply meant "body." But in the traditions of somatic practice, from dance to phenomenology, and to Eastern ritual, soma refers to something more precise: the body as felt from within, not the body as seen from outside. It is the body that breathes, aches, remembers, and trembles. It is the body that is the mind, and the mind that inhabits the body. 

This exhibition brings together four artists working at the intersection of mind, body, and time; not as separate categories, but as a single, indivisible soma. 

Opening reception: Thursday, 7 May 2026, from 5:00 to 8:00 p.m.

Gallery address: G/F, 248 Hollywood Road, Sheung Wan

Soluna Fine Art is proud to present San Gimignano, a solo exhibition by Hong Kong–based Filipino American artist Jon Poblador. Inspired by his visit to the Italian city last year, where he was deeply moved by the colors encountered in one of its ancient churches, the exhibition presents a new body of work shaped not by image, but by an experience of atmosphere. Poblador’s paintings are not concerned with representation, but with an immersive exploration of the act of looking. 

Working within his signature grid, Poblador constructs each surface through hundreds of repeated marks. Each brushstroke functions as a kind of silent prayer, meditative, devotional, and sustained by focused attention. San Gimignano invites a slower mode of looking. These paintings do not reveal themselves at a glance; they unfold over time. Through sustained attention, something begins to surface, not a fixed meaning, but a shift in awareness. The surface shifts from structure to atmosphere, from stillness to a quiet sense of presence.

Opening Reception: 7 May 2026 (Thur) 6 - 8 pm

Gallery address: G/F, 52 Sai Street, Sheung Wan

HART HAUS is delighted to present “and i love you dearly” a solo exhibition by Michael Rikio Ming Hee Ho, concluding his 2-month international residency at HART HAUS.

“and i love you dearly" features a compelling new body of work that intricately weaves together poetry, text, and painting, reimagining the canvas as a site to examine nostalgia, memory, and identity. His works dwell in the strange comfort of looking back, where “home” begins to feel like a story we tell ourselves. Shaped by a transpacific sensibility spanning Hawaiʻi, Tokyo, and Hong Kong, his practice unfolds through an intimate, almost tactile relationship with language.

Opening reception: 9.5.2026, 16:30 - 18:30 (Artist tour 17:00)
Gallery address: 3/F, Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town

The 13th edition of Affordable Art Fair Hong Kong takes over the Hong Kong Convention and Exhibition Centre from 14 to 17 May 2026, welcoming 106 exhibitors for a four day celebration of contemporary creativity.

This year’s theme, “See Art. Love Art. Own Art.”, extends an invitation to explore and collect original works at prices starting from HK$1,000. Seasoned collectors and first time buyers alike will find thousands of paintings, sculptures, photographs, and mixed media pieces gathered under one roof.

Far more than a marketplace, Affordable Art Fair Hong Kong 2026 unfolds as a cultural festival where art comes alive. The venue transforms through Special Projects 2026, with large scale installations, experimental works, and live performances that invite audiences to step inside and be part of the art. Visitors can discover fresh perspectives in the brand new Photography Feature, where diverse lenses capture the city’s layered identity. Emerging voices take center stage in Young Talent Hong Kong, presenting new ideas and creative energy from the next generation. Continuing its spirit of cultural exchange, the fair collaborates with the British Consulate General Hong Kong, presenting UK talent through curated exhibitions led by Hugo Barclay, UK Fair Director of Affordable Art Fair. Finally, audiences are invited to roll up their sleeves in interactive workshops and live demonstrations, making creativity a shared, hands on experience.

Tickets on sale

The global geopolitical situation is reshaping economic, geographic, and artistic barriers, limiting exchanges. This exhibition aims to demonstrate that artistic boundaries do not exist and that ART ACROSS BOUNDARIES is an invitation to explore how art can unite people and cultures, while addressing the challenges and opportunities it represents. Art has always been a powerful means of expression, transcending cultural, linguistic, and geographic barriers, thanks to the generosity of 30 participating artists. 

An exhibition rich in artistic variety and emotion 

1. Immersing us in diverse artistic styles and traditions

2. Helping the lives of children in the Mekong, thanks to donations and the kindness of our audience

3. Encouraging visitors to reflect on their own identity and the role of culture in their lives. 

Artists, mostly inspired by Asia or by the ART ACROSS BOUNDARIES theme, help us "see" the beauty hidden in the most insignificant details of our daily lives, sublimating their art through their vision and diverse techniques.
Opening Reception: 14.5.2026（Thu）5 – 9 pm

Cocktail With The Artists 16.5.2026（Sat）5 – 9 pm

Venue address: Hong Kong Visual Arts Centre

Tang Contemporary Art is honored to present the duo exhibition Come Closer, gathering seminal artworks of French artists Arik Lévy & Zoé Ouvrier. Based in Paris and Saint-Paul-de-Vence, the two artists are working across visual arts and design, in-between styles, transversal cultures and traditions, yet they nurture presence and inter-relation. Their works draw us in through delicate details, while confronting us to substantial themes such as memory, fragility, the body, identity, silence, and cross-cultural links.

Opening Reception: 15.5.2026  3 – 7 pm

Gallery address: 10/F, H Queen's, Central

Pointsman Art Space is pleased to present After Epilogue, a solo exhibition by artist Judy Kong, running from 17 May to 19 June 2026. Centring on the cinema as a "liminal space," the exhibition comprises three atmospheric video installations that resonate with the unique experience of cinema culture and personal emotion.

In Hong Kong's fast-paced, efficiency-driven culture, the cinema, where one can surrender to light and shadow, remains one of the few spaces where people can truly pause. Kong's work captures the suspended moment after a film ends but before the lights return, creating three video installations that crack open a fissure between cinema and reality. Through these works, she constructs an atmospheric experience saturated with memory and emotion, inviting viewers to share quiet, intimate moments in darkness while honouring the cinema culture that is gradually disappearing.

Curator: Angel Leung

Opening Reception: 17.5, 4–6:30 PM

Gallery address: 119 Second Street, Sai Ying Pun, Please use the back entrance (Sai Wa Lane)]

Yannick Chevrel, an abstract expressionist, creates intricate combinations of colours that not only attract the viewer's attention but also evoke emotional responses. This ability to blend hues instinctively makes the artworks captivating and thought-provoking.

As a self-taught artist, Yannick Chevrel has immersed himself in the Art School of Life, drawing inspiration from his three decades in Hong Kong. His journey reflects a rich tapestry of experiences, informing his art with a personal depth and resonance.  Yannick's choice of bright colours reflects his belief in their awakening strength. By employing vibrant contrasts and clashing hues, he captures viewers' attention and provokes an emotional response. This technique is central to his vision of art as a tool for transcendence and wonder. 

Venue address: The Fringe, Anita Lai Ling Chan Gallery, Central

White Cube is pleased to present Alia Ahmad’s (b. 1996, Saudi Arabia) first solo exhibition in Hong Kong.

Rooted in recollections and observations of her native Riyadh, and informed by the country’s broader cultural traditions alongside digital perspectives, Ahmad’s expressionistic paintings explore the nuanced relationship between memory, artistic expression and evolving landscapes.

Gallery address: 50 Connaught Road Central

In France, 61% of people own a pet — about 75 million animals — making it the country with the most pets in Europe. In Hong Kong, the emotional and economic interest in pets among couples has grown so much that pets may soon outnumber young children in households. To ensure their well-being, both countries have developed complete health protocols: insurance, microchips, smart collars, and pet-sitting services, supported by technologies dedicated to monitoring these companions. Cities have also adapted, creating parks and activity areas for them. 

These customizable and adoptable animals now occupy a central place in society and attract major attention from the pet industry. The implantation of microchips in France and animal identity cards in Hong Kong illustrate this evolution. 

From this shared context, I created the Pop-pet series — imaginary animals drawn or painted in soft, transparent tones, symbolizing emotional bonds and attachment. The project includes small-format “identity portraits” echoing pet ID cards and large-format works representing the growing presence of pets in cities. A participatory element invites visitors to draw their own Pop-pet, contributing to a collective artwork. 

Opening Reception: 20.5.2026（Wed） 7 – 10 pm

Gallery address: G/F, 54 Sai Street, Sheung Wan

Marking its 45th anniversary, Alisan Fine Arts presents a year-long “Then and Now” programme. Running in parallel with the “Then” exhibition in Central, this exhibition at Alisan Atelier maps the “Now;” it brings together 4 contemporary artists who take inherited materials, images, and ideas and transpose them into contemporary spatial, material, and conceptual frameworks. 

Li Donglu (b. 1982) draws on classical Western draftsmanship alongside Chinese pictorial thought, orchestrating light, colour, and precision to open contemplative, cosmological vistas. Yao Qingmei (b. 1982) redeploys archival film, performance, and installation to meditate on time, loss, and the body within public ritual and structures of power. Shi Qi (b. 1978), hand-paints rice paper in ink and colour, then meticulously folds and mounts it to canvas, blurring the lines between painting and sculpture, between action of creation and spiritual exploration. Qi Zhuo (b. 1985) reworks traditional sculptural lineages through glass, metal, and repair, pairing humour with critique to probe authenticity and cultural transfer.  

Together, these practices show how memory becomes material and how tradition becomes a generative constraint, reframing inheritance as invention in the present tense.

Opening reception: 21.5.2026 5:30 – 7:30 pm

Gallery address: 21/F Lyndhurst Tower, 1 Lyndhurst Terrace, Central

This May, the profound collaboration between Vacheron Constantin and the Louvre culminates in an exceptional exhibition at Tai Kwun, Hong Kong. Rooted in a shared passion for excellence, the collaboration between Vacheron Constantin and the Louvre extends beyond watchmaking, embracing the very essence of artistic heritage. From ancient sculptures to Renaissance masterpieces, the influence of the Louvre is reflected in every detail, making each timepiece not just a watch, but a bridge between history and innovation. 

The pinnacle of the exhibition is the Métiers d’Art Tribute to great civilisations’ first public appearance in Hong Kong. The timepieces illustrate the Maison’s extensive research into the Louvre’s iconic antiquities. Through the mastery of manual engraving, enameling, and various rare hand-applied decorative arts, the exhibition reimagines the epic imprints of ancient civilisations in miniature form. 

Venue address: Duplex Studio, Block 01, Tai Kwun

This year in Hong Kong, L’ÉCOLE, School of Jewelry Arts, is proud to present Precious Coral, from Curiosity to Treasures, an exhibition dedicated to one of the most fascinating precious materials in jewelry history.

From May 23rd to October 11th, 2026, the exhibition at K11 MUSEA Hong Kong Campus brings together approximately 120 jewelry creations and exceptional specimens on loan from distinguished collections and institutions. The most significant presentation on campus to date, it proposes examining precious coral through three lenses: Biology and Gemology, Craftsmanship, and History.

Lenders include The Coral Museum - Liverino Collection, Chii Lih Coral Museum, the Van Cleef & Arpels Collection among others.

Venue address: 510A, 5/F, K11 MUSEA, Tsim Sha Tsui

This exhibition features works by two contemporary Japanese artists based in Paris, Aki Lumi and Yuki Onodera.  Aki Lumi uses photography, drawings and sketches to explore questions such as what is artificial and what we see. Yuki Onodera constantly creates works that raise fundamental questions about what photography is and what images are. She uses photography to experimentally create a variety of works that explore themes that emerge from these questions.  While these two artists share the same creative space and time, they each pursue their own individual creative endeavors. Their works each possess unique qualities, backed by their own philosophies, ideas, and methods of expression. This exhibition introduces their representative series such as Aki Lumi's "Traceryscape" and Yuki Onodera's "The World Is Not Small - 1826," in the same space, creating a mysterious sense of synesthesia. 

Gallery address: Unit A, 10/F, Derrick Industrial Building, Wong Chuk Hang

Hong Kong Film Awards Best Picture Twilight of the Warriors: Walled In is not just a story of the Walled City; it is also a Hong Kong story. This film reunited Hong Kong film professionals, as the complete movie sets were built and shot in Hong Kong. They joined hands to recreate the Walled City, which was demolished in the early 90s. Audiences found the more than 50 sets in the film stunning.

The classic sets of the film are now located on the original sites of the Walled City – the present Kowloon Walled City Park. To re-create daily life in the Walled City, this movie set exhibition has been meticulously crafted with immersive designs and elements of traditional crafts. Visitors can also experience the sights and sounds of airplanes flying low over the Walled City through large projections.

This exhibition showcases not only the movie sets but also the outstanding creativity and craftsmanship of Hong Kong film professionals. Let us immerse ourselves in this cinematic journey and explore the Walled City and the charm of Hong Kong movies.

Yamen, Kowloon Walled City Park

From the 1920s and beyond, Paris was the center of the art world and the city where every artist dreamed of. Crossing oceans and borders, Asian artists set sail to reimagine what was already theirs, mixed with the infinite possibilities of a new beginning.

Opening Reception: 27.5.2026（Wed） 6 – 8 pm
Weekends by appointment only

Venue address: 7/F, One Pacific Place, 88 Queensway, Admiralty

David Zwirner is pleased to announce an exhibition of works by Dan Flavin (1933–1996) featuring the artist’s grids, a key body of work that he began in 1976. As curator Michael Govan observes, the grids count “among the most intense and concentrated of Flavin’s lights.” Constituting one of the artist’s most complex and nuanced chromatic investigations, these constructions are composed of an equal number of vertical fixtures facing backwards and horizontal fixtures facing forwards in varying color combinations. Situated in the corner of a room, they simultaneously project a blend of colors outward towards the viewer and inward into the corner, highlighting the architectural conditions of the space. A version of this exhibition—the first focused examination of this form—was on view at David Zwirner New York in January–February 2026 and the presentation in Hong Kong will include several re-creations of the way in which Flavin installed the grids in significant exhibitions held during his lifetime.

Gallery address: 5–6/F, H Queen’s, 80 Queen’s Road Central

The exhibition “The Outsider” takes its title from Albert Camus’ novel of the same name. Through the works of four artists — Apolline Cordier, Cang Yuan, Ophelia Jacarini, and Marc Tangay; who each stand beyond established orders and languages, the exhibition reveals that being an “outsider” is not about isolation, but a necessary distance. It is precisely through not fully belonging that the act of seeing becomes possible. 

Gallery address: 2/F, New World Tower II, 18 Queen's Road Central, Central

Isabel Parra is a Colombian-French artist based in Hong Kong, where she balances her art practice with teaching. She explores the natural, cultural, and social forces that shape individual identity. 8 embodies cycles, union, and fraternity, examining our place among species between symbiosis and extinction. Parra's work reflects the intersection of tradition and modernity, inviting contemplation on coexistence and humanity.

Opening Reception: 29.5.2026（Fri）6 – 9 pm

Gallery address: Unit A, 4/F, Kin Teck Industrial Building, 26 Wong Chuk Hang Road

This exhibition brings together two thought-provoking works from the M+ Collection by artists Heri Dono (Indonesian, born 1960) and Wael Shawky (Egyptian, born 1971). Both artists explore how civilisations evolve and intertwine, drawing on enduring traditions such as mythology and folk tales, oral storytelling, and theatre. These forms do not merely connect us to the past—they invite us to imagine alternative futures beyond the relentless drive of economic progress and modernisation.

Wael Shawky’s video work I Am Hymns of the New Temples (2023) delves into humanity’s beginnings and the construction of national narratives. Set among the ruins of Pompeii, actors wearing handmade ceramic and papier-mâché masks move through the remnants of the city, situated at the ancient crossroads of exchange between Egyptian, Greek, and Roman cultures. The work reinterprets shared creation myths and theatrical traditions to explore our need to make sense of the world through storytelling, and the way these narratives are adapted and reshaped for national purposes.

Heri Dono’s kinetic installation Fermentation of the Mind (1992–1993) resembles a classroom, featuring rows of old wooden desks topped with white fibreglass heads. When activated by a pedal, the heads nod in unison and emit distorted chanting sounds. The work is inspired by Indonesia’s sociopolitical landscape in the early 1990s, particularly the state’s influence on public opinion and independent thought through propaganda. Drawing on the rich Javanese tradition of wayang kulit (shadow puppetry), Dono uses satire to reflect on history, society, and culture.

Venue address:

Running in parallel with Chinese Avant-garde in Paris at Alisan Fine Arts Central for the gallery’s 45th-anniversary, this exhibition at Alisan Atelier gathers 4 contemporary artists who currently live and work in Paris, Li Donglu, Yao Qingmei, Shi Qi, and Qi Zhuo. Each artist transforms inherited materials, images, and ideas within contemporary spatial and conceptual frames. From Li’s dramatic dreamscape paintings and Yao’s meditations on time and loss to Shi’s folded paper reliefs and Qi’s reparative and subversive sculpture, the exhibition recasts lineage as a living engine for the present.

Opening reception: 30.5.2026（Sat）3 – 6 pm

Gallery address: 1904 Hing Wai Centre, 7 Tin Wan Praya Road, Aberdeen

Opening in June in Hong Kong, Hauser & Wirth will present Bowling’s first solo exhibition in Asia, bringing together a selection of historical and recent works that showcase Bowling’s mastery of surface texture. Sir Frank Bowling OBE RA is widely regarded as one of Britain’s most significant living artists. For over six decades, Bowling has relentlessly pursued a practice which boldly expands the possibilities and properties of paint. Ambitious in scale and scope, his dynamic engagement with the materiality of his chosen medium and its evolution in the broad sweep of art history has resulted in paintings of unparalleled originality and power. Bowling was elected a Royal Academician in 2005, appointed Officer of the Order of the British Empire (OBE) in 2008, and knighted in 2020 for his services to art. His works are held in major museum collections worldwide, including Tate, The Museum of Modern Art, and The Metropolitan Museum of Art.

Gallery address: 8 Queen's Road, Central

Alliance Française de Hong Kong and the University Museum and Art Gallery present The Little Prince and the Pilot. In celebration of the 80th anniversary of The Little Prince’s publication in France, this multigenerational exhibition displays original artefacts. Along four thematic journeys through Saint-Exupéry’s life, discover him as The Explorer (with artefacts, letters, photos and maps from his pioneering flights), the Writer (with manuscripts, original editions, and global translations of The Little Prince), The WWII Hero (with military objects, reconnaissance photos, VR experience of aviation history) and exclusively in Hong Kong, The Characters: several tactile sculptures of The Little Prince figures, designed for all audiences, including the visually impaired. This exhibition is made possible thanks to the generous support of our main sponsor, IWC Schaffhausen, and our sponsor, The University of Hong Kong Museum Society.

University Museum and Art Gallery, The University of Hong Kong

This exciting, family-friendly exhibition explores contemporary design and its hidden impacts on our everyday actions, like walking, eating, and sitting. It reveals how design can improve our lives, influence our behaviours, and foster human connections. General director Taku Satoh (Japanese, born 1955), video director Yugo Nakamura (Japanese, born 1970), and music director Shuta Hasunuma (Japanese, born 1983) invited designers and artists to respond to the exhibition’s ideas, resulting in a variety of activities: hands-on games, interactive installations, and immersive audiovisual rooms. The show aims to spark creativity and surprise—moments of inspiration that make you say ‘Ah!’.

Design Ah! at M+ is an adaptation of the highly successful exhibition at TOKYO NODE, produced with NHK Educational and NHK Promotion. It is based on Design Ah! neo, a Japanese children’s educational television programme produced by Nippon Hōsō Kyōkai (NHK, the Japan Broadcasting Corporation). The programme has received numerous international awards, including at the Prix Jeunesse and Peabody Awards. The M+ presentation is the first Design Ah! exhibition organised outside of Japan.

Venue address: Main Hall Gallery, G, M+

This presentation celebrates the museum’s fifth anniversary with a significant donation to the M+ Collections from Herzog & de Meuron (established Switzerland, 1978), the world-renowned architecture firm that designed the museum building.

The exhibition showcases newly donated models, drawings, and material samples that reveal Herzog & de Meuron’s innovative architectural practice. It focuses on built and unbuilt projects in China, including landmark buildings such as M+ (2013–2020), Tai Kwun in Hong Kong (2006–2018), and the National Stadium in Beijing (2002–2008), as well as urban planning projects that respond to how territory and landscape fundamentally shape the form of cities. These works reflect the firm’s deep engagement with China since the early 2000s, set against the backdrop of the country’s rapid economic growth and ambitious infrastructure development.

Myths, Monsters, and Manga: The Art of Fantasy in Asia explores the role of fantasy in the evolution of Asian visual culture and its global impacts. Spanning from the nineteenth to twenty-first centuries, the exhibition presents fantasy as a potent creative tool for artists to respond to shifting sociopolitical conditions. Through imaginative stories, characters, and worlds, these artists confront complex realities that resonate with contemporary experiences. This groundbreaking exhibition reveals the links between a wide range of genres and styles, highlighting historical connections that have rarely been explored.

Unfolding across four chapters, the exhibition begins with pre-modern traditions such as Japanese ukiyo-e woodblock prints, Indonesian shadow puppetry, and Tibetan Buddhist scrolls. These traditions helped establish fantasy as a foundational element of Asian visual culture. Chapters two and three trace major twentieth-century developments, including the spread of Surrealism through Asia and the post-war emergence of Japanese manga and anime. The final chapter presents the explosion of fantastical anime aesthetics in art, design, architecture, film, fashion, video games, and digital culture around the world that continues to the present day. It shows how these creative forms move fluidly across disciplines and regions in the twenty-first century.

Windows into Heaven (working title) is a special exhibition that offers a rare glimpse into the profound legacy of Eastern Orthodox art. It presents about 100 important icon paintings and gemstone-encrusted treasures of Orthodox Christian art that span nearly a millennium from the renowned State Tretyakov Gallery in Russia. Tracing the evolution of Eastern Orthodox art, the exhibition highlights the significance of visual narratives related to Christ, the Virgin Mary, saints and the Bible in Eastern Orthodox art traditions.

Gallery 9, Hong Kong Palace Museum

Jointly organised by the Hong Kong Palace Museum and the Guimet-National Museum of Asian Arts in Paris, this exhibition features nearly 150 masterpieces of Buddhist art from Guimet’s world-class collection, complemented by significant objects from Chinese Mainland museums. The exhibition highlights the transmission of Buddhism and the stylistic development of Buddhist art along the Silk Roads. Embark on a journey across Asia, from Afghanistan and China to the Korean Peninsula and Japan, spanning from the 1st to the 10th century, discover how Buddhist artistic traditions were shaped through a millennium of dialogue, movement and connectivity.

Gallery 8, Hong Kong Palace Museum