This March, coinciding with Art Basel Hong Kong 2026, Art Intelligence Global is pleased to present “THE UNCANNY” at our Hong Kong gallery.

Bringing together significant works by Yayoi Kusama, Robert Gober, Louise Bourgeois, among others, the exhibition examines how artists have engaged with the psychological concept of the uncanny. Through distortions of the body, the domestic sphere, and technology, these works dislocate the familiar to reveal submerged memories, desires, and anxieties.

Opening Reception: March 24, 2026 | 5PM – 8PM

Gallery address: 1st Floor, TS Tower, 43 Heung Yip Road Wong Chuk Hang

HKWALLS, Hong Kong's leading non-profit street art organisation, is excited to announce the return of its landmark annual festival for its 11th edition, running from 21 to 29 March 2026.

This year's festival, themed around the city as a canvas, features over 20 local and international artists from 14 countries. We are particularly thrilled to introduce "Art on the Move," a brand-new collaboration with GoGoX where six artists will transform logistics trucks into mobile masterpieces and immersive gallery spaces.

Festival Highlights include:

• Live Mural Painting: Artists like Fabio Petani (Italy) and Hardthirteen (Indonesia)—who will create a portrait of Bruce Lee—will paint live across the Central and Western District.

• HKWALLS Digital 2026: A massive digital art display on the Sino LuminArt Façade (Tsim Sha Tsui) featuring 82,000 LEDs, as well as giant screens at the new Kai Tak Mall.

• Interactive Events: An Art Battle Kickoff Party at PMQ on 21 March and a grand "Art Walk in Central" finale on Chater Road on 29 March.

A group exhibition of 9 Italian and HK artists, curated by Giulia Pollicita and Eunice Tsang
Tap Chan, Adele Dipasquale, Roberto Fassone, Adam Harrison, Ocean Leung, Jennie MaryTai Liu, Simon Liu, Michela de Mattei, Sara Ravelli

When speech is mistranslated, restricted, or simply fails, what other alphabets remain? Between Italy and Hong Kong—where languages, histories, and governing systems diverge—our exhibition proposes play as a shared, subversive alphabet.

Neither innocent nor trivial, play here becomes a strategic act. The artists turn to games, glitches, and improvised rules to articulate what cannot be said. Within their worlds, prevailing rules are suspended, roles dissolve, and hierarchies are reconfigured. Between docility and insubordination, play emerges as a magical gesture: an agent of both disorder and reorder.

Opening reception: 21.3 | 4-8pm

Gallery address: 3F Remex Centre, 12 Heung Yip Road, Wong Chuk Hang

Contemporary art’s engagements with Modernity and Hauntology continue to provoke essential reflections on history and reality. This curatorial experiment explores their untapped possibilities within specific East Asian contexts. Set in Hong Kong—where Buddhism and Daoism thrive alongside deeply lived folk beliefs that shape not only spiritual life but also social, cultural, and political realities—the exhibition highlights the intangible yet constant presence of the ghostly and the divine in everyday human–world relations. The English title GHOSTLY, GODLY captures this spectral dimension, while the Chinese title 人間 (Human Realm, Ningenkai) evokes the unresolved, bittersweet present of Buddhist cosmology, where joy and suffering coexist and call for ongoing practice.

Curated by Chris Wan, the show presents newly commissioned works, existing pieces, archives, and documents by artists Simon Liu, Cici Wu, Tang Kwok-hin, Ha Bik Chuen, and On Kino. Fully supported by the Octone Foundation, this project fosters experimental curating and artistic creation outside conventional institutional frameworks.

Venue address: 33/F, M Place, Wong Chuk Hang

Growing up in the United States and Europe, and currently living and working in China, Etsu Egami experienced various communication barriers she encountered as a result of her cross-cultural residence. She felt that languages can “only be sensed, not explained”, thus becoming more interested in the discipline of language and communication. Etsu’s works are comprised of various mediums, such as voice, video, and drawings, through which she strives to question human instincts and the authenticity of communication. Estu’s perceptive contemporary pieces have led her to receive high praise from the art sector. Curator of Pompidou art centre Julie Jones describes Egami as an artist who “sees all these specificities as a source, not only of misunderstanding but also of creation and richness in people’s relationships.” Chinese curator Feng Bo Yi also summarized Etsu’s creation as being “about the concept and the significance of ‘communication’. Through the paintings and videos which embody these mishearing games, as well as the evolution of times, the clashes between civilisations, we acquire a discourse on the barriers in language communications, and subsequently even trigger a crisis.”

Gallery address: 20/F, Landmark South, 39 Yip Kan Street, Wong Chuk Hang

What is it like to live, sense, and feel as a mushroom? Over the past year, Zheng Mahler conducted extensive research on their local home island of Lantau, and encountered thirty-eight distinct species of mushrooms. After photographing and compiling their findings, they produced a unique dataset and fed it into a custom AI model — critiquing and simultaneously expanding AI's dearth of knowledge around mushrooms in connection with the Western world's fear of fungi, and to generate new, speculative mushroom species. The project likens the rhizomatic and seemingly infinitely generative nature of mushrooms to emergent AI systems and posits we understand each through the other. At the same time, it invites us to consider our preoccupations with generative qualities of 'fruiting bodies' and consider the responsive, cultivating qualities of 'network' inputs.

For their solo show at PHD Group, “Mushroom Clouds,” Zheng Mahler will build a large-scale living, breathing terrarium which simulates the biodiverse ecosystems on Lantau Island, complete with plants and fungi. Within this terrarium, a dense cloud of fog occasionally forms as a reaction to systems of water, heat, and growth, in which projections of AI-hallucinated mushrooms appear, creating a ghostly display of Lantau fungi. A series of drawings of a number of fungi species found on Lantau and used in the AI dataset appears around the gallery space for visitors to similarly encounter and be guided through this immersive, unpredictable and expansive exhibition.

Opening: 21 March 1-7pm

Axel Vervoordt Gallery is pleased to present Asteroid J-734, a solo exhibition by Jaffa Lam at its Hong Kong space. Following her recent participation in the Shanghai Biennale, this presentation expands the artist’s longstanding engagement with material, community, and storytelling. Bringing together new works developed across a range of mediums—including ceramics shaped during her residency in Longquan, China, as well as ongoing fabric and window installations—Asteroid J-734 forms an interconnected constellation of materials and forms that move fluidly between the monumental and the intimate. In this new body of work, Lam invites viewers into a world both deeply personal and profoundly connected to the environments and people that surround her.

Opening March 21st

Gallery address: 21/F, Coda Designer Centre, Wong Chuk Hang

Capsule is pleased to present Kong Lingnan's(b. 1983, Jilin, China) solo exhibition The Fool’s Journey, marking the debut of the eponymous series of 22 oil paintings on wood. The works offer a metaphorical reimagining of the 22 Major Arcana cards of the Tarot, tracing the arc of an individual’s spiritual growth—from ignorance to wisdom, from chaos to fulfillment. The series guides viewers along the Fool’s journey through a sequence of archetypes and stages embodied by each Tarot card, reflecting on the challenges, transformations, and moments of enlightenment that we all encounter in one way or another throughout life.

Opening reception on March 21 from 11 am to 7 pm

Venue address: Suite 2501, 25/F, Landmark South, 39 Yip Kan Street, Wong Chuk Hang

‘Receding Scenery’ describes a familiar physical experience: as a vehicle moves forward, the scenery outside appears to drift backward. Rather than nostalgia, Hazel WONG Mei Yin’s works grow from this shifting perspective, reflecting the uncertainty, thoughts, and emotions of being in transit.

Wong’s practice is shaped by her recent life between Sapporo and Hong Kong. Long hours spent travelling—as both passenger and driver—have turned the interior of the vehicle into a space for quiet observation. Frequent relocation has made movement central to her work. While the landscapes she paints refer to real places, they also carry personal memory and feeling, revealing her ongoing interest in distance, time, and human connection.

Saturday, 21 March 2025, 2 – 5pm

Gallery address: 3/F, 25 Hing Wo Street, Tin Wan, Aberdeen

In this new body of work, Dony CHENG Hung deepens her ongoing inquiry into urban existence, perception, and temporality.Cheng reflects on the shift from a past in which time was non-uniform, repeatedly reactivated through ritual and architecture, to a present dominated by speed, measurement, and constant management. This exploration is inspired by her current reading of Mircea Eliade's "Traité d'histoire des religions" and Paul Virilio's "L'Esthétique de la disparition". Her earlier investigations into the dialogue between artificial and natural light, along with latent rituals that reconnect us to nature within everyday routines, now converge into a visual language centered on the objectification of present-day temporality.

Saturday, 21 March 2025, 2 – 5pm

Gallery address: 13/F, 25 Hing Wo Street, Tin Wan, Aberdeen

MAYAO is pleased to announce ZHU Tao’s solo exhibition 《20260321》. Join us at the opening reception from 4:30 - 6:30 PM on 21 March, to regain the original purpose of ‘arriving’ in an era increasingly marked by disorientation. Below is an excerpt by the curator:

One afternoon in December 2025, I visited Zhu Tao and had the privilege of seeing all of his manuscripts. I remember sitting in his study that day, looking through them one by one. Time seemed to freeze at a certain moment that afternoon. My body was in a small village somewhere in Tai Mei Tuk, Hong Kong, and the sky outside gradually darkened. Yet those vivid images carried me to different places. These images are the footprints of Zhu Tao.

We chose the exhibition opening date—20260321—as the title of the exhibition, to represent the number of steps he has taken. These steps are not empty data; they are the traces of a person using his own body to experience different spaces and landscapes. In Zhu Tao’s manuscripts, what I see is not merely scenery, but cities with different temperaments and atmospheres. One feels present within them. I can almost smell those places: Venice soaked in sunlight, rain-drenched Kyoto, the wind-blown landscapes of Qinghai beneath a blazing sun, and Greece where the air carries the salt of the sea and the wind is filled with its scent.

CURATOR: Lí WEI

Opening reception: 4:30 - 6:30 PM, 21 Mar, Saturday

Gallery address: 10/F, Derrick Industrial Building, Wong Chuk Hang

A new body of paintings by Fares THABET, the celebrated Tunisian artist whose ethereal landscapes have captured the transformative light and chromatic intensity of North Africa. Working from his studio in the bay of Tunis, Thabet continues to explore the intersection of observation and imagination, creating compositions that transcend geographical specificity while remaining rooted in Mediterranean luminosity.

Thabet's recent paintings present scenes of paradoxical complexity and serenity—works where sandy beaches blush rose-pink, seas dissolve into turquoise-green gradients, and skies transform into tangerine orange at dusk. These tranquil environments exist primarily in imagination yet bear traces of human habitation, occasionally revealing lone figures, drifting boats, or entire abandoned cities merging seamlessly with their surroundings.

Saturday, 21 March 2025, 2 – 5pm

Gallery address: 13/F, 25 Hing Wo Street, Tin Wan, Aberdeen

WKM Gallery is pleased to present “HKG-TYO 1974-2023,” a solo exhibition by Canadian photographer Greg Girard (b. 1955, Canada). Known for his intimate, cinematic documentation of the social and physical transformations in major East Asian cities over the past four decades, the current exhibition juxtaposes two of Girard’s second homes, Hong Kong and Tokyo, during their respective eras of industrialization and growth.

Guided by an undying investigative curiosity and appreciation of the overlooked, Girard’s lush, enchanting, and at times melancholy compositions offer a point of access to the euphoria and growing pains that eventually came to shape Hong Kong and Tokyo as we know them today, becoming time capsules that point simultaneously toward the present and the future.

21 March 2026 | 4 - 8 pm

Meet the Artist
21 March 2026 | 6 - 7 pm
24 March 2026 | 7 - 8 pm

Gallery address: 20/F, Coda Designer Centre, Wong Chuk Hang

When Antenna Space celebrated a tenth anniversary just a couple short years ago, the world was in a weirdly fragmented state. We called the exhibition “Horizons,” after the hypothetical event horizon of an expanding cosmos, the place from which no signal could ever be received; we speculated that hope was our lone defense against the impossible—a protest against the infinite.

Today, the world remains fragmented, perhaps even more so than it was in those strange, post-pandemic days, when travel was again possible but the urge to connect felt like a distant memory. We see our technical networks breaking into closed circuits, China building and exporting a global alternative, Europe planning its own civic social networks, the United States a chaotic morass held together by the thin glue of fascism and artificial intelligence. For the first time in living memory, we are living in a truly multipolar world.

Artists: Xinyi Cheng, Cui Jie, Guillaume Dénervaud, Daniel Dewar & Grégory Gicquel, Owen Fu, Covey Gong, Guan Xiao, Han Bing, Hongyan, Allison Katz, Stanislava Kovalcikova, Mire Lee, Li Ming, Shuang Li, Li Yong Xiang, Nancy Lupo, Peng Zuqiang, Evelyn Taocheng Wang, Yu Honglei, Stella Zhong, Zhou Siwei (alphabetically)

Opening reception: 21 Saturday, 3-7pm

Gallery address: 19/F, 37 Wong Chuk Hang Road

The second chapter of “Us” unfolds in Hong Kong. Where the Berlin edition began within the quieter confines of the domestic interior, this iteration prepares us to step outside. In this intermediate space, we encounter change, the presence of others, the pull of the external, and the charged energies of the city.

Curated by Thom Oosterhof

Artists: Dani McKenzie, Robert Russell, Kevin Yaun, Jonah Gebka, Steffen Kern, Arnaud Adami, Michael Angel, Rachel Lancaster

Opening reception: Saturday, 21 March | 2-7 PM
Gallery address: 2101, Landmark South, Wong Chuk Hang

Foretold by classical feng shui and Asian astrology, this new era marks a cosmic shift from the element of Earth to Fire—symbols of volatility and upheaval—signaling an urgent call to restore water as a vital counterbalance: an agent of care, adaptability, and healing. In this spirit, during Hong Kong Arts Month, PODIUM is delighted to present 'Amour Aquatique'—a group exhibition that pulses with the tensions of presence and absence, attachment and release, drawing viewers into the ebb and flow of aquatic love—at once universal and deeply intimate. Drifting through the protean forms of water as metaphors for the fluidity of love, grief, nostalgia, and memory, this exhibition brings together five artists, including Fran Chang, Omyo Cho, Soyoung Chung, Minouk Lim, and Luis Xertu, whose works are inspired by the continuous cycles of looping, evaporating, pooling, eroding, and flowing, wading into the liminal spaces where personal and political waters entangle.

Opening reception: 21 March, 2:00—7:00 PM

Gallery address: 9/F, E Tat Factory Building, 4 Heung Yip Road, Wong Chuk Hang

Whitestone Gallery is proud to announce the upcoming exhibition, "Resonance: A Collection of Creative Dialogues," featuring an exceptional lineup of contemporary artists whose distinctive styles reflect their recent achievements in the art world. The exhibition will run from 21 March to 9 May 2026, coinciding with the vibrant art season in Hong Kong.

The artists showcased in this exhibition are renowned for their innovative approaches and have garnered notable recognition through various institutional exhibitions, prestigious awards, and commercial collaborations. The participating artists include: Ay-O (b.1931, Japan), Soonik Kwon (b. 1959, Korea), Bao Pei (b.1960, China), Ronald Ventura (b.1973, Philippines), Philip Colbert (b.1979, UK), Julie & Jesse (b.1980, Hong Kong, and b.1975, USA), Jiang Miao (b.1981, China), Kim Deok Han (b.1981, Korea), Dai Ying (b.1983, China), Miwa Komatsu (b.1984, Japan), Kohei Kyomori (b.1985, Japan), Lee Chae (b.1989, Korea), and Chen Yingjie (b.1991, China).

Opening Reception 2026.03.21 (Sat) 3:00 pm - 6:00 pm

Gallery address: 7/F, M Place, Wong Chuk Hang

Lap-See Lam draws on experiences of the Cantonese diaspora, delving into migratory movement, generational loss, speculative history, and the otherization of cultural symbols through video installations, sculptures, and live performances. Her works blend contemporary techniques with traditional storytelling forms and references, taking inspiration from shadow play puppetry and Cantonese opera, as well as the aesthetics of Western Chinese restaurants. Her work creates mythical imaginations of Chinoiserie as defined by imperialist history, while reflecting on her personal family history of migration, to convey the complexities of cultural heritage.

Conversation: Trevor Yeung with Lap-See Lam, moderated by Olivia Chow: 21 March 2026, Saturday, 4pm (conducted in English)

Gallery address: 15/F, Po Chai Industrial Building, Wong Chuk Hang

Behold, this ides of March: The Catalyst brings you the finest export from Newcastle upon Tyne, England. :zoviet*france: will be visiting Hong Kong, to bring us their perplexing visuals and dazzling auricular experience with a live performance.

<The Gate Is Open> LP + 12” boxed set w/T-shirt 
Limited 300 copies available at The Catalyst

Opening reception: 21st March, 6:30pm

26 March live performance at a secret location TBA.
 Physical tickets ONLY at The Catalyst, first-come, first-served.

Gallery address: G/F, 218 Hollywood Road

Carl Kostyál is pleased to present a duo exhibition by Camilla Engström (b. 1989, Örebro) and Julius Nordvinter (b. 2003, Gothenburg) at the gallery’s Hong Kong space in Landmark South.The exhibition marks Julius Nordvinter’s debut presentation in Asia and Camilla Engström’s return to the region, where she has established a strong presence in recent years.

Camilla Engström’s luminous landscapes and Julius Nordvinter’s psychologically charged portraits approach painting from different directions yet share a common lineage. Both draw on the imaginative terrain of Nordic folklore, where landscape, myth and the inner life often collapse into one another.

Opening reception: 4-6pm

Gallery address: 20/F, Landmark South, 39 Yip Kan Street, Wong Chuk Hang

Jutta Koether, born in Cologne, lives and works in Berlin and New York. Since the 1980s, she has been developing an alternative genealogy and practice of painting that have decisively shaped the current understanding of the medium. She programmatically connects her painting to performance, music, and textual production, and works and worked in collaborative projects with Reena Spaulings, Tom Verlaine, Steven Parrino, John Miller, Tony Conrad, and Kim Gordon, among others.

Koether's work was the subject of a comprehensive survey exhibition at the Museum Brandhorst in Munich and the Mudam in Luxembourg in 2018 and 2019. Other exhibitions of her work have been held at Artium Museoa in Vitoria-Gasteiz (2022), Museum Abteiberg in Mönchengladbach (2019), Dundee Contemporary Arts (2013), Moderna Museet in Stockholm (2011), Van Abbemuseum in Eindhoven (2009), and Kunsthalle Bern (2009). Her works are in collections of international museums, such as the Museum of Modern Art and Whitney Museum of American Art in New York, Museum of Contemporary Art in Los Angeles, Berlin National Gallery, Museum Brandhorst in Munich, Museum moderner Kunst Stiftung Ludwig Vienna, Museum Ludwig Cologne, and Stedelijk Museum Amsterdam.

Opening reception: Sunday, March 22, 4–8 PM

Featuring a live performance by Jutta Koether and Patrick Derivaz throughout.

Gallery address: 8 & 19/F Grand Marine Center, Yue Fung Street 3

An Alternative Scale

check-in SIDE SPACE compresses the traditional art fair booth into the scale of a suitcase: each gallery presents only what can be carried onboard a plane. Works may be disassembled, packed during transit, and reassembled on site, but every element must fit within the dimensions of standard cabin luggage. By restricting presentations to this radically reduced footprint, check-in SIDE SPACE sharpens curatorial intent, challenging galleries to show only what can withstand such extreme distillation. 

An Alternative Rhythm

Conceived as a nomadic structure, check-in SIDE SPACE is designed to be hosted and reinterpreted by different galleries in different cities. The format echoes the itinerant rhythm of collectors flying into a city for an art fair: arriving with suitcases, rushing between venues and exhibitions—often held in provisional spaces—and swiftly departing. This flavor of mobility and impermanence also draws on Hong Kong’s 走鬼 street vendor culture of the 1960s and 70s. While mirroring the compressed choreography, we slow down the tempo, encouraging genuine encounters with both art and the city.

An Alternative Way of Arriving

check-in SIDE SPACE 2026, hosted by THE SHOPHOUSE, unfolds in Hong Kong’s Starstreet Precinct in Wan Chai—a charming, walkable neighborhood enclave of cafes, small shops, and local galleries. Alongside the suitcase presentations, a peripheral program of events, collaborations, workshops, and performances offers moments of exchange within the city’s social and cultural fabric. For visitors in town only briefly, check-in SIDE SPACE proposes more than just another stop on the circuit—it urges a different mode of arrival.

Opening: March 23, 2026 | 5 – 8 pm
Venue: 5 Sun Street Wan Chai

Zheng Zhou (b. 1969, China) is a painter of instinct, conveying onto canvas observations from the world, as ad hoc as they may be. His strokes, furtive yet decisive, depict an urgency to grasp that mesmeric multitude of the cosmos, the ‘phenomena’ we, or more precisely he, is a witness to. Referencing ‘I Ching’ (“The Book of Changes”), Zheng channels the astronomical, remarking the myriad of components that make up our universe, mimicking its duplicity through his subject range, hues and techniques.

Opening: Mon, 23 March, 6 – 8 PM

Gallery address: 10 Sik On Street, Wan Chai

Are you not invited to bougie art parties during art week? Don’t fret, so are we.

You know what’s more meaningful than to sip champagne and pretend that you actually like that piece of painting that stings your eye? — An actual party to hang out with the pioneering young artists in town, where it only requires you to genuinely enjoy the moment, with zero pretence.

Come see some art you won’t find elsewhere, hang out, drink our booze and have some great vibes away from the serious hoity toity art world with us.

6 PM till late for all of you feral art animals. 25th of March is the date.

See you soon. Be there, or be square.

Venue address: 1/F, 23 Lan Fong Road, Causeway Bay

Pearl Lam is pleased to present 'Bearing the Unseen', a solo exhibition featuring works by Shanghai-based artist Qiu Anxiong, on view from 23 March to 30 May at our Hong Kong gallery.⁠
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'Bearing the Unseen' presents a new body of paintings that imagine a utopian natural world inhabited by displaced animals and human figures, addressing our fractured relationship with nature and our enduring desire to control it.⁠
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The word 'Bearing' carries multiple layers of meaning- to hold, to endure, to bear witness, and to strive for control or possession, all gestures linked to human agency and burden. In contrast, 'the Unseen' refers to what lies beyond ordinary perception, inviting us to question our beliefs and to see the world anew. Through Qiu’s poetic vision, animals, once silent sufferers, emerge as profound witnesses to human exploitation, reflecting both our folly and our shared destiny.⁠

Grand opening: 23 March, 2-8pm

Gallery address: G-3/F, W Place, 52 Wyndham Street, Central

White Cube is pleased to present a concurrent two-city exhibition of new works by renowned Ghanaian sculptor El Anatsui. Timed to coincide with Art Basel Hong Kong, the exhibition debuts new sculptural installations from his celebrated ‘bottle top’ series, created in his Accra studio using locally sourced discarded bottle caps. These shimmering, meticulously assembled works reflect Anatsui’s ongoing engagement with material transformation, global exchange and the shifting histories embedded in everyday objects.

Hong Kong: 24 March – 25 April
Seoul: 18 March – 18 April 

Gallery address: 50 Connaught Road Central

Tang Contemporary Art Hong Kong is pleased to present “Crab,” a solo exhibition by renowned Chinese artist Yue Minjun. The exhibition traces back his artistic journey over the past three decades, systematically showcasing his major series, while unveiling new works that expand his distinctive visual language. Yue Minjun’s artistic practice does not follow a linear path; instead, it moves sideways like a crab — shifting across mediums, repeatedly returning to specific motifs, when maintaining tension among multiple directions. The exhibition “Crab” names this nonlinear, non-unidirectional creative structure, metaphorising how the artist “walks on multiple legs” to break free from a singular perspective, thus, examining artistic creation and social reality through multidimensional exploration.

Since the early 1990s, Yue Minjun has established a highly recognisable visual language through his exaggerated, yet closed laughing figures. This “laugh” has been reproduced and interpreted continuously in the global context, nearly becoming his personal signature. However, focusing solely on the smiling face risks overlooking a more crucial structural trait in his work: a flow of thinking that rejects linear progression and travels sideways like a crab.

Opening Reception: Tuesday, 24 March, 6–8 pm
7 pm Special Performance by Ensemble Apeiron

Gallery address: 10/F, H Queen’s, Central

Ora-Ora is delighted to present the first solo show at Ora-Ora by celebrated Hong Kong artist William Lim. "Time After Time" opens during Art Month, on March 24, 2026, presenting 23 paintings, executed at the West Lake in Hangzhou across the four seasons.

Painting intensely en plein air, the artist captures historical harmonies and dynamic moments of change, where art converses with nature, informed by literature, myths and self-reflection.

Each canvas is saturated with the immediate sensation of light, air, and weather, generating an immersive space that invites us to contemplate permanence through transience, and deep history through the fleeting present.

Opening Reception: March 24, (Tuesday) 4:00 pm - 8:00 pm, artist will be present for the book signing

Gallery address: 105-107, Barrack Block, Tai Kwun, Central

MASSIMODECARLO is pleased to present A Grass Roof, Lily Stockman's first exhibition in Hong

Kong. Stockman takes her title from an eighth-century poem by the Tang Dynasty Buddhist master Shitou Xiqian, whose Song of the Grass Roof Hermitage makes an audacious claim: "though the hut is small, it includes the entire world." The six new paintings test whether paint might do the same thing. Exploring the phenomenological proposition at the heart of Shitou's poem - where the protagonist dissolves into perceived space through portals of color and permeable boundaries - Stockman's canvases collapse the distinction between interior refuge and infinite expanse. Can a painting contain everything?

The works unfold in a narrow palette of blues and greens - frames nesting within frames, organic shapes blooming and receding, scumbled outlines and slivered shadows creating what Stockman describes as a "permeability" between self and spaciousness.

Opening Reception: Tuesday, March 24, 6-8pm The artist will be present

Gallery address: Shop 03-205A & 205B & 206, Second Floor, Barrack Block, Tai Kwun

David Zwirner is pleased to present Pearl Lines, an exhibition of new paintings by New York–based artist Walter Price (b. 1989). Price is known for his richly vibrant paintings and drawings, which bypass strict allegiances to representational or abstract modes. His canvases and works on paper not only experiment freely with color, line, and space but also reveal emphatic shifts in perspective, suggesting scenes and imagery that the artist ultimately leaves for viewers to absorb and contemplate on their own.

This is Price’s first solo exhibition in Asia, and his second with the gallery since he joined David Zwirner in 2024. Price’s work is also included in the 2025–2026 group exhibition MONUMENTS, co-organized and co-presented by The Brick and the Museum of Contemporary Art, Los Angeles, and curated by Hamza Walker, Kara Walker, and Bennett Simpson.

Opening Reception: Tuesday, March 24, 3–7 PM

Gallery address: 5–6/F, H Queen’s, Central

Nicole Eisenman’s ‘Fallen Angels,’ as the title suggests, is the artist’s most down-to-earth show in years. Comprising eleven recent paintings and three sculptures, the exhibition narrows the field of vision to three sites of middle-class living: home, work, beach. Nearly all of the paintings are easel-sized, while two of the sculptures (made with a table and a chair, respectively, from Eisenman’s studio) feel like accidental readymades, even ex situ. The contraction of scale and contemplative tone stands in contrast to Eisenman’s reputation for crowded tableaux and picaresque social scenes, but the work is no less demanding. Here, figures linger, hesitate, repeat themselves; time settles into familiar spaces. The ambition lies not in spectacle but in attention, in the difficulty of staying with what is close at hand. The first two sites—home and work—have collapsed into each other. The third offers no escape. 

One of these works is not like the others. ‘Fallen Angels’ (2025), the painting that gives the show its title, looks like an alternate movie poster for Wong Kar-wai’s 1995 neo-noir. At first, it seems out of place amid the quiet representations of home and work life, but once you remember that Kar-wai shot the film entirely at night, you realize it’s key to the meaning of the whole exhibition. Look through the window or up at the sky in nearly any of these paintings, and you’ll see it immediately. For Eisenman, the world outside is dark and getting darker. 

Artist Talk: Tuesday 24 March 5 – 6 PM 

Opening Reception: Tuesday 24 March 6 – 8 PM 

Gallery address: G/F, 8 Queen’s Road Central

Korean Cultural Center invites you to the opening reception of "From Korea to Hong Kong: Expanding Horizons", a group exhibition with 11 Korean galleries that participate in Art Basel Hong Kong 2026, showcasing the artworks of 11 artists.

Manna Lee 李萬娜 (Sun Gallery), Michael Joo 米高·朱 (Kukje Gallery), Jae Yong Kim 金載容 (Hakgojae Gallery), Won Seoung Won 元性媛 (Arario Gallery), Kang Hoon Kang 姜康薰 (Johyun Gallery), Kyung-Chul Shin 申炅澈 (Leeahn Gallery), Sujin Choi 崔秀珍 (G Gallery), Jaeseok Lee 李在錫 (Gallery Baton), Youjin Yi 李裕珍 (Wooson), Muyeong Kim 金武永 (N/A), Jonghwan Lee 李鍾晥 (Cylinder)

Opening Reception: Tuesday, 24 March 2026, 6:00 – 8:00 PM (Artists introduction at 7 PM)

Venue: 6-7/F, Block B, PMQ, 35 Aberdeen Street, Central

Gagosian is pleased to announce Persephone, Mary Weatherford’s first solo exhibition in Asia, opening at the gallery in Hong Kong on March 24, 2026. In the new paintings on view, Weatherford explores light and color, and pursues her interest in found materials, collage, and neon through a mythological theme that resonates with the changing seasons.

Persephone features luminous paintings in vinyl emulsion paint on linen. Some are augmented by colored neon tubes, seashells, or coral. In Greek mythology, Persephone is stolen from earth to become queen of the underworld; upon her return she presides over springtime renewal. As in the Chinese myth of Nian, a hibernating beast that emerges at year’s end, her story explains the cycle of seasons: when Persephone is abducted by Hades, her mother Demeter’s grief causes all plant life to cease. An eventual compromise requires Persephone to spend part of the year below ground, and the other part on earth, allowing spring flowers to bloom, bees to buzz, and blue summer skies to bring joy. Weatherford’s new series imagines the earthquake of Persephone’s disappearance and her journey into radiance, representing her achievement of new life.

Opening reception: Tuesday, March 24, 6–8pm

Gallery address: 7/F Pedder Building, 12 Pedder Street, Central

DE SARTHE is pleased to announce Jack Tworkov 1900-1982: Pioneer of Abstract Expressionism – A Survey, an exhibition of key works by the influential American painter from the late 1940s to early 1980s, organized with the support of the Estate of Jack Tworkov, Van Doren Waxter, and major US and Asian collectors. Marking this historically significant artist’s first major retrospective in Asia, the exhibition follows the evolution of his practice, characterized by the artist’s disposition toward creative fluidity and shifting identities, with a focus on the years in which he played a pioneering role in the Abstract Expressionist movement alongside peers including Willem de Kooning, Jackson Pollock, and Mark Rothko. On view from March 21st to May 9th, the exhibition offers a journey through history made via the eyes and hands of its maker.

Opening reception: Tue, Mar 24, 8-10pm

Gallery address: 2/F, Vita Tower, 29 Wong Chuk Hang Road

Flowers Gallery Hong Kong is pleased to announce Leviathan, marking the acclaimed

Scottish artist Ken Currie’s second solo exhibition in Asia. Presented in Sheung Wan, a district historically shaped by a maritime and trading past. Currie’s new paintings enter into a quiet dialogue with the area’s longstanding relationship to its harbours.

In this exhibition, Currie explores our human instinctual terror and fascination with the unknown, using what may be found when we look into the depths of real and imagined seas. Two new monumental oil paintings, Immemorial III (2024) and Leviathan (2024), portray colossal, fictitious sea beasts as they appear to charge up through dark waters.

Preview: Thursday, 26 March, 10am-12pm

Gallery address: 49 Tung Street, Sheung Wan

Alongside our presentation at Art Central 2026, The Jeeum Gallery is pleased to present Choi Kichang’s solo exhibition “Everything is going to be alright”, opening in our Central gallery space.

In this exhibition, Choi Kichang revisits the enduring question of what role art can still play in everyday life. Drawing inspiration from minhwa, Korea’s traditional folk painting, the artist reflects on how images once functioned beyond decoration — as gestures of protection, prayer, and hope embedded in daily life.

As the exhibition text notes, Choi’s practice attempts to grasp "an energy that exists but cannot be proven." Through repetition, chance, and material experimentation, he explores what practical use contemporary art might still have in our lives today.

Opening Reception 26 March 2026, 6-9 PM
The Jeeum Gallery, 
3/F, 9 On Lan Street, Central

“The landscapes we rush past, the people we brush shoulders with, and the everyday objects we often overlook are given new life through his fingertips.”
— Curator Raymond Wong

City Memories at Fingertips is the first solo exhibition organized by St James Creation, presenting ceramic artist William Siu’s 17 years of creative practice.

The exhibition features over 60 works, many of which are being shown for the first time, alongside selected pieces that have previously been exhibited internationally.

We warmly invite you to wander through these memories shaped at the artist’s fingertips.
Opening Reception: March 26, 6:00 PM

Venue: Co-Ninety, G/F, 27 Sau Wa Fong, Wan Chai