Ming Ying’s exhibition “Anonymous Monuments” invites us into a world where the female figure emerges not as a singular identity but as a living fabric of history, culture, and emotion. Her paintings, executed in heavy impasto oil, are less about representation and more about embodiment: each layered brushstroke is a visceral act of storytelling, transforming paint into a tactile memory. Within this process, she reconfigures how we perceive female identity—shifting it from personal portraiture to a universal monument.
Gallery address: 10/F, H Queen’s, 80 Queen‘s Road Central,
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